Childsplay: The Art of Allan Kaprow

Couverture
University of California Press, 2004 - 249 pages
"Childsplay is an extraordinary book. Jeff Kelley not only narrates the history of Allan Kaprow's art but also tells the story of art in the last half of the twentieth century from an entirely fresh point of view. He makes sense of performance history in the context of developments in the more traditional art media in a way that I find consistently illuminating."--Henry Sayre, author of The Object of Performance: The American Avant-Garde Since 1970

"Allan Kaprow's Happenings? You had to be there, goes the retort. But the next best thing, it turns out, is reading David Antin's witty first-hand accounts and Jeff Kelley's illuminating discussion of this singular form of vanguard performance art."--Christopher Knight, art critic, Los Angeles Times

"Allan Kaprow is one of those rare artists whose ideas and innovations have changed the practice and theory of art in his own lifetime. As a founding father and a leading practitioner of performance and conceptual art, he created works that have run the risk of ephemerality, leaving few traces or objects behind them. It is the achievement of Jeff Kelley's Childsplay that Kaprow's seminal works (or "play" as the title would have it) are now brought sharply and vividly back to the present. The result is not only historically and critically alive, it is nothing short of monumental."--Jerome Rothenberg, poet, professor emeritus of visual arts and literature, University of California, San Diego

"Happenings were wild, exciting, stimulating, and engaging. And best of all, the everyday person could participate. Allan Kaprow has had an enormous impact on art and performance. Now with Childsplay you will have the wonderful opportunity to revisit his work and enjoy his creativity and stunning imagination. Perhaps you will be inspired to reinvent one of Kaprow's Happenings or better yet, create one of your own."--Anna Halprin

"A Happening is an important moment in twentieth-century art. To understand a Happening you must start where Happenings began, with Allan Kaprow."--Dennis Hopper

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À propos de l'auteur (2004)

David Abraham Antin was born in Brooklyn, New York on February 1, 1932. He received a bachelor's degree in English and speech from the City College of New York in 1955 and a master's degree in linguistics at New York University in 1966. After working as an educational curator at the Institute of Contemporary Art in Boston, he taught in the department of visual arts at the University of California, San Diego. From 1968 to 1972, he directed the university's Mandeville Art Gallery. He was also a poet who created a new performance style called talk poems, which was part lecture, part stand-up routine, and part Homeric recitation. After editing his tape-recorded performances, he wrote the poems down. He published several collections of poetry during his lifetime including Talking, Talking at the Boundaries, and What It Means to Be Avant-Garde. A collections of his articles on art, Radical Coherency: Selected Essays on Art and Literature, 1966-2005, were published in 2011. He died from complications of a broken neck that he suffered in a fall on October 11, 2016 at the age of 84.

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