Art and Architecture in Italy, 1600 to 1750, Volume 16Penguin Books, 1973 - 428 pages The progress of the arts in every centre between Venice and Sicily in each of the three periods into which this book falls. But the heart of this volume lies in the architecture and sculpture of the exhilarating years of Roman High Baroque, when Bernini, Borromini, and Cortona were all at work under a series of enlightened popes. |
Table des matières
Part | 1 |
CARAVAGGIO | 21 |
THE CARRACCI | 31 |
Droits d'auteur | |
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aedicule Algardi Alinari altar Andrea Annibale Annibale Carracci Antonio architect architecture Art Bull artists Barberini Baroque classicism Battista bays Bibliography Boll Bologna Bolognese Borghese Borromini building Burl busts Cappella Caravaggio Cardinal Carlo Carlo Fontana Carlo Rainaldi Carracci ceiling chapel Chiesa church colour columns contrast d'Arte decoration dome Domenichino Domenico Duquesnoy early eighteenth century façade Ferrata figures Filippo Florence Florentine Fontana Francesco Francesco Borromini frescoes Gallery Genoa Gianlorenzo Bernini Giovan Giovanni Giuseppe Guarini Guarino Guarini High Baroque important influence Italian Italy Jahrb Juvarra Late Baroque later Longhi Luca Maderno mainly manner Mannerist Maria masters Milan monumental motif Naples painter painting palace Palazzo Palazzo Barberini Palazzo Pitti Paolo Paragone Piazza Pietro da Cortona pilasters Plate pupil quadratura Rainaldi Renaissance Rococo Roman Rome Sacchi sculpture Seicento seventeenth century St Peter's staircase statues storia structure stucco style tomb tradition Turin vault Venetian Venice Villa Vittone Wittkower