DJ-cultureQuartet Books, 1998 - 473 pages From the first ever radio transmission in 1906, to the underworld New York club parties of the sixties to the future concept of the DJ as cultural producer, the transition of the DJ from record-spinner to musician is the central theme of the book. |
Table des matières
The bias thing | 19 |
The writing thing | 32 |
The first star | 48 |
Droits d'auteur | |
30 autres sections non affichées
Expressions et termes fréquents
acid house Adorno aesthetic Afrika Bambaataa Alan Freed American Arnold artists audience avant-garde B-Boys bands bass bass-line Beastie Boys beat became become breakbeats broadcast CALIFORNIA/SANTA CRUZ club Cohn context CRUZ The University dance dancefloor Diederichsen disco discothèque DJ culture DJ music DJ's Fab 5 Freddy film Freed funk George ghetto Goetz graffiti Grandmaster Flash Herc Hi-NRG hip-hop culture hipster house music Ibid idea industry intellectual jazz Kittler Kool DJ Herc Kraftwerk label language listeners mainstream McLaren mixing desk Murray the K musicians Nelson Nik Cohn original parties piece played political pop culture pop music possible postmodern produced programme punk rappers record record-players remix rhythm rock rock'n'roll sampler sampling scratching song soul sound system studio style subculture techno thing Toop turntables underground UNIVERSITY OF CALIFORNIA/SANTA wanted Westbam York