Sergei M. Eisenstein: A Biography

Alexandrov American appeared artist asked became become called character cinema complete create creative criticism death direct director Eisenstein elements emotional experience explain expression eyes face fact feel felt film friends give given hand head Hollywood human ideas important impression interest Ivan knew later letter live look material means method Mexican mind montage Moscow mother nature never October once Pera period picture play Potemkin present production remained Russian scenario scene seemed sense sent Sergei Eisenstein Sergei Mikhailovich shot Sinclair social society sound Soviet stage story symbolic talked Terrible Theatre theory things thought tion told took Tsar turned understand Union Upton Sinclair Viva Mexico wanted whole workers writing wrote York young