Eugene Onegin: A Novel in Verse

Basic Books, 1999 - 137 pages
18 Avis
The Russians, revering Alexander Pushkin as a national hero, see his novel in verse, Eugene Onegin, as the pinnacle not only of his oeuvre, but of their entire literature. Its brilliant sonnets are traditionally memorized by youngsters, and even today nearly any Russian adult can quote many passages with fervor. No literary work plays a comparable role in the English-speaking world. The plot swirls around Onegin - a disillusioned roue who mourns youth's passing, his poet-friend Vladimir Lensky and two neighbor-girls - perky Olga and pensive Tanya. Infatuation leads to disappointment, jealousy to duelling, and in the end, obsession to rejection, in a twist that leaves readers hanging. But the novel's charm resides as much in its digressions as in its plot, for Pushkin exploits the "Onegin stanza" as a device for musing on wine, women's legs, poetry, hypocrisy - whatever strikes his fancy.

Avis des internautes - Rédiger un commentaire

Avis des utilisateurs

5 étoiles
4 étoiles
3 étoiles
2 étoiles
1 étoile

Review: Eugene Onegin, Vol. I (Text)

Avis d'utilisateur  - EC McCarthy - Goodreads

Can't help but think of Pale Fire (published two years prior to this translation) when reading Nabokov's notes. I imagine him grinning over his pages. Art imitating life imitating art imitating life...? Consulter l'avis complet

Review: Eugene Onegin, Vol. I (Text)

Avis d'utilisateur  - Scottie - Goodreads

Nabokov ridiculed his own translation so much that I really was expecting the work to be as boring and ugly as he described the translation. Instead I was swept away! Consulter l'avis complet

Table des matières

Chapter 11
Chapter v
Chapter VI
Chapter VII
Chapter VIII
Notes xllii
Droits d'auteur

Expressions et termes fréquents

Références à ce livre

Tous les résultats Google Recherche de Livres »

À propos de l'auteur (1999)

In addition to Gödel, Escher, Bach, which won both the Pulitzer Prize and the American Book Award, Douglas R. Hofstadter is the author of several books, including Le Ton beau de Marot and Metamagical Themas. He is College Professor of Cognitive Science and Computer Science as well as the Director for the Center for Research on Concepts and Cognition at Indiana University in Bloomington.

Informations bibliographiques