PerceptionMcGill-Queen's Press - MQUP, 2003 - 227 pages The book includes chapters on forms of natural realism, theories of perceptual experience, representationalism, the argument from illusion, phenomenological senses, types of perceptual content, the representationalist/intentionalist thesis, and adverbialist accounts of perceptual experience. The ideas of Austin, Dretske, Heidegger, Millikan, Putnam, and Robinson are considered among others and the reader is given an invaluable philosophical framework within which to consider the issues. |
Table des matières
A theory of natural realism | 25 |
Theories of perceptual experiences | 51 |
representations as natural signs | 67 |
Putnam Austin and Heidegger | 89 |
the argument from illusion | 111 |
The phenomenal and phenomenological senses | 131 |
Types of perceptual content | 149 |
The representationalistintentionalist thesis | 165 |
Adverbialist accounts of perceptual experience | 193 |
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Expressions et termes fréquents
account of perceptual acquire act-object adverbialist appear argued argument from illusion aspect Austin belief C. D. Broad Cambridge causal Chapter characterization claim Clark colour components conceptual content defended describe direct realism distinction Dretske ences epistemic epistemological Evans example fallacy Harman Ibid important indirect intentional content intrinsic qualities introspect involves judgements kind knowledge McDowell naive realism natural realism natural signs natural view non-conceptual content Oxford P. F. Strawson perceiver perceptual experience phenomenal character Phenomenal Principle phenomenological sense philosophers philosophy of perception physical objects point of view problem properties psychology Putnam representational content representationalism representationalist representative theory requires role rusty sensations Sense and Sensibilia sense of looks sense-data sensible quality sensory experience sensory particular sensory representations sensuous Strawson taste theorists theory of perception thesis things third person point thought tion traditional University Press visual experience visual perception