OctoberBloomsbury Academic, 26 avr. 2002 - 97 pages In this book, Richard Taylor asks to what extent the film can lay claim to "authentic" history. He then examines October's relationship to the politics of the period and explains the theory and its application, as well as placing October in the wider context of Eisenstein's career. |
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1920 re-enactment ancien régime anniversary Antonov-Ovseyenko audience authenticity banner Battleship Potemkin BFI FILM boiakh Bolshevik Bolshevik sailors bourgeois ladies bourgeoisie bread bridge Bulgakowa cadets cinema Cited CLASSICS close-up Congress contemporary Cossacks crowd cuts defending delegates documentary earlier Eisenstein later Eisenstein's film Epokha ESW1 Evreinov February Revolution Festivals film October film-maker footage Grigori Alexandrov historical Ian Christie intellectual montage intercut intertitle Iskusstvo Kerensky Kerensky's Kornilov Lenin Leningrad lezginka London machine-gun mass Mensheviks Military Revolutionary Committee Minister Moscow Moussinac Napoleon Neva Nevsky newsreel Nikandrov Nikolai Nikolai Podvoisky October Revolution organised Palace Square parasol peace peasants Petrograd play Podvoisky Provisional Government Pudovkin represented Richard Taylor Russian Savage Division scene screen seen Sergei Eisenstein shots Smolny Institute soldiers Sovkino staircase Stalin statue of Alexander storming Strelka symbolise symbolism Tisse toppling translation Trotsky tsar tsar's tsarina's tsarist Tsivian visual Vladimir Winter Palace women Women's Battalion workers