Directing the DocumentaryFocal Press, 1992 - 382 pages This hands-on resource offers a series of projects teaching necessary skills through action. It details the different processes and methods for directing, from pre-production research and subject selection through production and post-production and offers basic concepts and aesthetic principles. |
Table des matières
CHAPTER | 4 |
Why You and I Matter | 11 |
Down | 29 |
Droits d'auteur | |
34 autres sections non affichées
Expressions et termes fréquents
action actually American Film Institute angle audience background camera operator character cinema cinéma vérité color color temperature Columbia College Chicago composition create crew members cutaways dialogue direct cinema direction director documentary film documentary makers editor effect equipment Erroll Morris example experience eyeline feel fiction Figure film film's filmmaking Focal Press footage frame handheld human ideas important individual interesting interview journey film key light kind lens listen look match cut material Maysles brothers medium mike move movement movie narration one's paper edit participants person Peter Watkins picture point of view problems production questions recording relationship responsibility rhythms scene screen screen direction script sense sequence setup shadow shooting signal situation someone structure sync television track usually videotape viewer voice Werner Herzog