The Films of Akira Kurosawa

Couverture
University of California Press, 1998 - 273 pages
In an epilogue provided for his incomparable study of Akira Kurosawa (1910-1998), Donald Richie reflects on Kurosawa's life work of thirty feature films and describes his last, unfinished project, a film set in the Edo period to be called The Ocean Was Watching.

Kurosawa remains unchallenged as one of the century's greatest film directors. Through his long and distinguished career he managed, like very few others in the teeth of a huge and relentless industry, to elevate each of his films to a distinctive level of art. His Rashomon--one of the best-remembered and most talked-of films in any language--was a revelation when it appeared in 1950 and did much to bring Japanese cinema to the world's attention. Kurosawa's films display an extraordinary breadth and an astonishing strength, from the philosophic and sexual complexity of Rashomon to the moral dedication of Ikiru, from the naked violence of Seven Samurai to the savage comedy of Yojimbo, from the terror-filled feudalism of Throne of Blood to the piercing wit of Sanjuro.

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À propos de l'auteur (1998)

Donald Richie was born, in Lima, Ohio on April 17, 1924. During World War II, he served in the U.S. Maritime Service as a civilian typist. He explored Tokyo on foot and began to attend the movies, which he wrote about for Stars and Stripes and later for the Japan Times. He received a bachelor's degree in English from Columbia University in 1953 and then returned to Japan. In the late 1960s and early 1970s, he was a film curator at New York's Museum of Modern Art, but by 1973 he returned to live permanently in Japan. He wrote more than 50 books about all aspects of Japan including film, food, social customs, fables, gardens, temples, folk art, music, pop culture, tattoos and sexual mores. His works include The Inland Sea, Memoirs of the Warrior Kumagai, The Films of Akira Kurosawa, and Zen Inklings. He died on February 19, 2013 at the age of 88.

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