Harlem RenaissanceOxford University Press, 2 mai 2007 - 390 pages A finalist for the 1972 National Book Award, hailed by The New York Times Book Review as "brilliant" and "provocative," Nathan Huggins' Harlem Renaissance was a milestone in the study of African-American life and culture. Now this classic history is being reissued, with a new foreword by acclaimed biographer Arnold Rampersad. As Rampersad notes, "Harlem Renaissance remains an indispensable guide to the facts and features, the puzzles and mysteries, of one of the most provocative episodes in African-American and American history." Indeed, Huggins offers a brilliant account of the creative explosion in Harlem during these pivotal years. Blending the fields of history, literature, music, psychology, and folklore, he illuminates the thought and writing of such key figures as Alain Locke, James Weldon Johnson, and W.E.B. DuBois and provides sharp-eyed analyses of the poetry of Claude McKay, Countee Cullen, and Langston Hughes. But the main objective for Huggins, throughout the book, is always to achieve a better understanding of America as a whole. As Huggins himself noted, he didn't want Harlem in the 1920s to be the focus of the book so much as a lens through which readers might see how this one moment in time sheds light on the American character and culture, not just in Harlem but across the nation. He strives throughout to link the work of poets and novelists not only to artists working in other genres and media but also to economic, historical, and cultural forces in the culture at large. This superb reissue of Harlem Renaissance brings to a new generation of readers one of the great works in African-American history and indeed a landmark work in the field of American Studies. |
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... York , New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved . No part of this publication may be reproduced , stored in a retrieval system , or transmitted , in any form or by any ...
... York , New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved . No part of this publication may be reproduced , stored in a retrieval system , or transmitted , in any form or by any ...
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... York . Photographs of Billy Kersands ' poster ; Bob Cole , James Weldon and J. Rosamund Johnson ; and Fletcher Henderson which appeared in Langston Hughes and Milton Meltzer , Black Magic , A Pictorial History of the Negro in American ...
... York . Photographs of Billy Kersands ' poster ; Bob Cole , James Weldon and J. Rosamund Johnson ; and Fletcher Henderson which appeared in Langston Hughes and Milton Meltzer , Black Magic , A Pictorial History of the Negro in American ...
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... York Public Library , Wendell Wray of the Countee Cullen Branch of the New York Public Library , Helen Willard of the Harvard Theatrical Collection of the Harvard College Library , and Donald Gallup of the Yale University Library were ...
... York Public Library , Wendell Wray of the Countee Cullen Branch of the New York Public Library , Helen Willard of the Harvard Theatrical Collection of the Harvard College Library , and Donald Gallup of the Yale University Library were ...
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... York City that F. Scott Fitzgerald con- jures up in The Great Gatsby , the Harlem Renaissance floats in our imagination in an aura of glamour and mystery , on the one hand , and , on the other — as is also true of the world of The Great ...
... York City that F. Scott Fitzgerald con- jures up in The Great Gatsby , the Harlem Renaissance floats in our imagination in an aura of glamour and mystery , on the one hand , and , on the other — as is also true of the world of The Great ...
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... York starting early in the twentieth century . Fortunately , this dismissal was only one side of Hughes's sense of the Harlem Renaissance . The Big Sea gave him a chance , which he seized , to compose the most detailed account of the ...
... York starting early in the twentieth century . Fortunately , this dismissal was only one side of Hughes's sense of the Harlem Renaissance . The Big Sea gave him a chance , which he seized , to compose the most detailed account of the ...
Table des matières
3 | |
Capital of the Black World | 13 |
2 The New Negro | 52 |
3 Heart of Darkness | 84 |
The Black Identity | 137 |
The Ethnic Province | 190 |
6 White Black FacesBlack Masks | 244 |
Epilogue | 302 |
Notes | 310 |
Index | 325 |
Autres éditions - Tout afficher
Expressions et termes fréquents
achievement African Afro-American Alain Locke Ameri American culture American Negro audience Banjo beauty Bert Williams black Americans black intellectuals blackface blues Byron Carl Van Vechten century civilization claimed Claude McKay color conventional Countee Cullen Crisis critical dance decade doubt dream DuBois's European exotic experience fantasy girl groes Harlem Renaissance Huggins Hughes's human humor Hurston identity innocence Jake James Weldon Johnson jazz knew Langston Hughes Lasca literary literature live Marcus Garvey mask McKay's ment minstrel moral Negro art Negro artist Negro intellectuals Negro writers never Nigger Heaven novel past patron performers play poems poetry political pretense primitive primitivism problem published race racial reader reality seemed self-consciousness sense slavery social songs sophisticated soul southern spirituals stereotype story success talent theatrical thing thought tion tradition travesty ture University W. E. B. DuBois Walker Wallace Thurman wanted white Americans women wrote York Zora