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actor actress afterwards amongst anecdote appeared applause audience Aurengzebe Author Barrowby Barry Barry's Bedford Coffee-house Beggar's Opera better Booth called celebrated character Charles Macklin Cibber Colley Cibber Comedy considerable Covent Garden Theatre critics dramatic Drury Lane Drury Lane Theatre Dublin Duke engagement excellence fame farce favour Fleetwood fortune friends Garrick gave genius gentleman give Henry Mossop highwaymen honour humour Ireland Irish Jaffier judgment Lady late likewise lived London Lord Macbeth Macheath Mack Macklin Manager manner ment merit mind Miss Mossop natural neral never night observed Othello particularly passions Paul Whitehead performance perhaps person piece play pounds powers principal profession Quin racter rehearsals reputation respect says scene season seemed shew Shylock soon spirit Spranger Barry Stage talents tell temper theatrical thing thought tion told took town Tragedy voice whilst whole Wilks young
Page 54 - Twas but a kindred sound to move, For pity melts the mind to love. Softly sweet, in Lydian measures Soon he soothed his soul to pleasures. War...
Page 182 - My story being done, She gave me for my pains a world of sighs: She swore, in faith, 'twas strange, 'twas passing strange, 'Twas pitiful, 'twas wondrous pitiful...
Page 411 - The times have been That, when the brains were out, the man would die, And there an end ; but now they rise again, With twenty mortal murders on their crowns, And push us from our stools.
Page 66 - Opera the gangs of robbers were evidently multiplied. Both these decisions are surely exaggerated. The play, like many others, was plainly written only to divert, without any moral purpose, and is therefore not likely to do good ; nor can it be conceived, without more speculation than life requires or admits, to he productive of much evil.
Page 154 - Pity it is, that the momentary beauties flowing from an harmonious elocution, cannot like those of poetry be their own record! That the animated graces of the player can live no longer than the instant breath and motion that presents them; or at best can but faintly glimmer through the memory, or imperfect attestation of a few surviving spectators.
Page 116 - For say what subject is more fit, Than to record the sparkling wit And bloom of lovely Peggy. The sun first rising in the morn, That paints the dew-bespangled thorn, Does not so much the day adorn As does my lovely Peggy.
Page 94 - I mustered up all the courage I could, and, recommending my cause to Providence, threw myself boldly on the stage, and was received by one of the loudest thunders of applause I ever before experienced. '"The opening scenes being rather tame and level, I could not expect much applause, but I found myself well listened to. I could hear distinctly in the pit the words "Very well— very well indeed! This man seems to know what he is about,
Page 343 - They have no remembrance of anything but what they learned and observed in their youth and middle age, and even that is very imperfect. And for the truth or particulars of any fact, it is safer to depend on common tradition than upon their best recollections. The least miserable among them appear to be those who turn to dotage, and entirely lose their memories ; these meet with more pity and assistance, because they want many bad qualities which abound in others.
Page 25 - Characters she chiefly excell'd in; but her natural good Sense and lively Turn of Conversation made her Way so easy to Ladies of the highest Rank, that it is a less Wonder, if on the Stage she sometimes was, what might have become the finest Woman in real Life to have supported.
JSTOR: Jews and Other "Outlandish Englishmen": Ethnic Performance ...