MaComère, Volume 4Association of Caribbean Women Writers and Scholars, 2001 |
À l'intérieur du livre
Résultats 1-3 sur 13
Page 162
... Michelle Cliff , " in Contemporary Literature 34.4 ( 1993 ) : 595-617 . Quoted in Pierre Francois , " Incest and the Ontology of Memory in Pauline Melville's The Ventriloquist's Tale , " in Commonwealth 21.2 ( 1999 ) : 38 . 2. In ...
... Michelle Cliff , " in Contemporary Literature 34.4 ( 1993 ) : 595-617 . Quoted in Pierre Francois , " Incest and the Ontology of Memory in Pauline Melville's The Ventriloquist's Tale , " in Commonwealth 21.2 ( 1999 ) : 38 . 2. In ...
Page 164
... Michelle Cliff . " Contemporary Literature 34.4 ( 1993 ) : 595-617 . Walters , Wendy W. " Michelle Cliff's No Telephone to Heaven : Diasporic Displacement and the Feminization of the Landscape . " Eds . Elazar Barkan and Marie - Denise ...
... Michelle Cliff . " Contemporary Literature 34.4 ( 1993 ) : 595-617 . Walters , Wendy W. " Michelle Cliff's No Telephone to Heaven : Diasporic Displacement and the Feminization of the Landscape . " Eds . Elazar Barkan and Marie - Denise ...
Page 173
Alfred López ( Un ) concealed Histories : Whiteness and the Land in Michelle Cliff's Abeng I have argued elsewhere that the autobiographical texts of Michelle Cliff constitute a reckoning with whiteness as a variation on the literary ...
Alfred López ( Un ) concealed Histories : Whiteness and the Land in Michelle Cliff's Abeng I have argued elsewhere that the autobiographical texts of Michelle Cliff constitute a reckoning with whiteness as a variation on the literary ...
Autres éditions - Tout afficher
Expressions et termes fréquents
African American become beginning body called Caribbean Celia characters child collection colonial color comes como connection Cuba cultural daughter describes diaspora Dominican English Erzulie experience explores eyes father feel female fiction final forced girl Haitian hand head idea identity Indian ISBN island land language leave Literature lives London look Lourdes Lucy Mariah meaning Melville memory mother mujer narrative narrator never notion novel painting past physical Pilar poems political present Puerto Rico question reader relationship ritual river role seems sense sexual social society space story Studies talk tell things turned understand University voice West woman women writing York young