Kino-eye: The Writings of Dziga Vertov

Couverture
University of California Press, 1984 - 344 pages
6 Avis
Dziga Vertov was one of the greatest innovators of Soviet cinema. The radical complexity of his work—in both sound and silent forms—has given it a central place within contemporary theoretical inquiry. Vertov's writings, collected here, range from calculated manifestos setting forth his heroic vision of film's potential to dark ruminations on the inactivity forced upon him by the bureaucratization of the Soviet state.
  

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Review: Kino-Eye

Avis d'utilisateur  - Emily Nine - Goodreads

His writing is so much like his films: robust, energetic, and optimistic. This was a man who truly wanted to push the boundaries of cinema. Love Vertov and this collection. Consulter l'avis complet

Review: Kino-Eye

Avis d'utilisateur  - Jonathan Dickstein - Goodreads

Easier to read than Eisenstein with an original take on montage and documentary. Consulter l'avis complet

Table des matières

Translators Acknowledgments
xi
Variant of a Manifesto
5
On the Organization of a Film Experiment Station
21
On the Film Known as Kinoglaz
34
Artistic Drama and KinoEye
47
KinoEye
60
On The Eleventh Year
79
FromNotebooks Diaries
162
The Man with a Movie Camera A Visual Symphony
283
Sound March From Symphony of the Donbas
289
She and An Evening of Miniatures
296
Letter from a Woman Tractor Driver
309
A Minute of the World
315
Publishing History
321
Filmography
330
Droits d'auteur

Draft of a Scenario Intended to Be Filmed During
275

Expressions et termes fréquents

Références à ce livre

The cinema of Eisenstein
David Bordwell
Affichage d'extraits - 1993
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À propos de l'auteur (1984)

Dziga Vertov's films include the Kino-Eye and Kino-Pravda series, Man with a Movie Camera, and Enthusiasm.

Informations bibliographiques