| 1821 - 514 pages
..." delicate mechanism" than a string communicating with the finger. His right hand being within the chest, may serve to keep in motion the contrivance...player's left arm into the arm of the figure, the latter is obliged to be drawn backwards ; and to account for, and conceal this strained attitude, a... | |
| 1821 - 502 pages
..." delicate mechanism" than a string communicating with the finger. His right hand being within the chest, may serve to keep in motion the contrivance for producing the noise, which is "**** is]y ,coWi,.s«Je- £.'"•1*/„ . f ttj i J Ml^0*1 i'n ' ai)d 6 ^tter*-'011 of f/ of fli ^v£$^***te£*^'^... | |
| 1821 - 520 pages
...with the finger. His right hand being within the chest, may serve to keep in motion the contrivivicc for producing the noise, which is heard during the...player's left arm into the arm of the figure, the latter is obliged to be drawn backwards ; and to account for, and conceal this strained attitude, a... | |
| Thomas Curtis - 1829 - 856 pages
...' delicate mechanism' than a string communicating with the finger. His right hand, being within the chest, may serve to keep in motion the contrivance...the introduction of the player's left arm into the aim of the figure, the latter is obliged to be drawn backwards; and, to account for and conceal this... | |
| Recreations - 1830 - 262 pages
...and let go a chess man with a string communicating with the finger. His right hand being within the chest, may serve to keep in motion the contrivance...other tricks of moving the head, tapping on the chest, Aie. When the drapery has been lifted up, and the doors in the trunk and thigh opened, the chest may... | |
| Thomas Curtis (of Grove house sch, Islington) - 1839 - 854 pages
...mechanism' than a string communicating with the finjrer. His right hand, being within the chest, mny serve to keep in motion the contrivance for 'producing...other tricks of moving the head, tapping on the chest, Sec. In order to facilitate the introduction of the player's left arm into the arm of the figure, the... | |
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