Mark Rothko, 1903-1970Tate Gallery, 1987 - 205 pages |
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Page 47
... shape . ' This may be considered a simplified version of Rothko's position that , since in modern society objects and ... shapes which appear to grow from within on the canvas and are not confined by contours . As such forms grow larger ...
... shape . ' This may be considered a simplified version of Rothko's position that , since in modern society objects and ... shapes which appear to grow from within on the canvas and are not confined by contours . As such forms grow larger ...
Page 73
... shapes in the later canvases were new substitutes for the figures . . . . My new areas have nothing whatever to do with the three tier backgrounds in the symbolic style . ' 31 Rothko considered his rectangular forms to be actual objects ...
... shapes in the later canvases were new substitutes for the figures . . . . My new areas have nothing whatever to do with the three tier backgrounds in the symbolic style . ' 31 Rothko considered his rectangular forms to be actual objects ...
Page 83
... shape becomes an organic entity , inviting the multiplicity of associations inherent in all living things . To me ... shapes in the pictures are the performers . They have been created from the need for a group of actors who are able ...
... shape becomes an organic entity , inviting the multiplicity of associations inherent in all living things . To me ... shapes in the pictures are the performers . They have been created from the need for a group of actors who are able ...
Table des matières
4917030 | 7 |
Notes on Rothko and Tradition Robert Rosenblum | 21 |
Reflections on the Rothko Exhibition Robert Goldwater | 32 |
Droits d'auteur | |
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Expressions et termes fréquents
Abstract Art Abstract Expressionism Abstract Expressionists abstract paintings Acrylic on paper Action Painting Adolph Gottlieb American Art archaic architectural Archives of American Barnett Newman Black on Maroon chapel Clement Greenberg color create Cubism developed Diane Waldman Dore Ashton edge emotions Estate of Mark exhibition catalogue experience expression figure Gallery of Art Gift Gottlieb and Rothko Greenberg Guggenheim exhibition Guggenheim Museum Hilton Kramer ibid idea illus legacy of Mark letter light Mark Rothko Foundation Matisse Modern Art Modern Artist Museum of Art Museum of Modern myths National Gallery Number objects Oil on canvas paint film painters Philip Johnson pictorial portrait Robert Goldwater Romantics Were Prompted Rothko and Gottlieb Rothko Foundation Inc Rothko's art Rothko's paintings Seagram seems Seitz sense shapes space spirit statements studio subject matter sublime surface Surrealist symbols symmetry Tate Gallery tradition tragic transcendental Untitled 1969 Acrylic viewer vision wall Washington York