Constructivism in Film - A Cinematic Analysis: The Man with the Movie CameraCUP Archive, 25 juin 1993 - 325 pages Vlada Petric explicates the cinematic text of one of the most famous works of avant-garde nonfiction film, Dziga Vertov's Man with a Movie Camera |
Table des matières
Dziga Vertov and the Soviet avantgarde movement | 1 |
Struggles with | 13 |
Vertov and Mayakovsky | 25 |
Futurist and formalist expression | 35 |
Educating the masses | 44 |
Vertovs difficult years | 60 |
Thematic meaning of The Man with the Movie Camera | 70 |
Formal structure of The Man with the Movie Camera | 129 |
35 | 179 |
220 | 186 |
72 | 194 |
Introductory statement of the film | 201 |
110 | 218 |
Biographical sketch of Vertovs career | 221 |
Notes | 237 |
113 | 243 |
Autres éditions - Tout afficher
Constructivism in Film: The Man with the Movie Camera : a Cinematic Analysis Vlada Petrić Aucun aperçu disponible - 1987 |
Expressions et termes fréquents
accelerated achieved actual appears Articles artistic aspect attitude audience background begins building Cameraman cinema close close-up Completes composition concept constructivist continues create creative critics dark diagonally directions discussion documentary Dziga Vertov editing Editor Eisenstein emphasizing experience expression face fact film Film-Eye Film-Truth film's filmmakers formal frame front function graphic HACU Hands human idea ideological Kaufman Kino kinoks later light lines looks lower machines March Mayakovsky meaning method montage Moscow motion movement Movie Camera moving newsreel Note objects October original patterns photographed point of view political position presented principle Produced published reality recording reels revealing rotating screen seen segments sequence shooting shots Songs about Lenin sound Soviet spoons statement street structure Svilova theater thematic Three Three Songs tion tracking traffic train trolley upper various vertical viewer visual woman workers Writes young