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Mirror in Parchment:

The Luttrell Psalter and the Making of Medieval England
Couverture
1 Commentaire
University of Chicago Press, 1 nov. 1998 - 410 pages
What is the status of visual evidence in history? Can we actually see the past through images? Where are the traces of previous lives deposited? Michael Camille addresses these important questions in Mirror in Parchment,a lively, searching study of one medieval manuscript, its patron, producers, and historical progeny. The richly illuminated Luttrell Psalter was created for the English nobleman Sir Geoffrey Luttrell (1276-1345). Inexpensive mechanical illustration has since disseminated the book's images to a much wider audience; hence the Psalter's representations of manorial life have come to profoundly shape our modern idea of what medieval English people, high and low, looked like at work and at play. Alongside such supposedly truthful representations, the Psalter presents myriad images of fantastic monsters and beasts. These patently false images have largely been disparaged or ignored by modern historians and art historians alike, for they challenge the credibility of those pictures in the Luttrell Psalter that we wish to see as real. In the conviction that medieval images were not generally intended to reflect daily life but rather to shape a new reality, Michael Camille analyzes the Psalter's famous pictures as representations of the world, imagined and real, of its original patron. Addressed are late medieval chivalric ideals, physical sites of power, and the boundaries of Sir Geoffrey's imagined community, wherein agricultural laborers and fabulous monsters play a similar ideological role. The Luttrell Psalter thus emerges as a complex social document of the world as its patron hoped and feared it might be.

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Review: Mirror In Parchment: The Luttrell Psalter And The Making Of Medieval England

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I used this book as source in a discussion on how depictions of clothing in Mediaval art helped to construct gendered ideals. As always, Camille was brilliantly astute in his understanding of the interdisciplinary nature of art history.

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Mirror in Parchment: The Luttrell Psalter and the Making of Medieval England. By Michael Camille. 411 pp. incl. 16 col. pls. + 147 b. & w. ills. ...
links.jstor.org/ sici?sici=0007-6287(199903)141%3A1152%3C173%3AMIPTLP%3E2.0.CO%3B2-N

Camille, Michael: Mirror in Parchment
Camille, Michael Mirror in Parchment: The Luttrell Psalter and the Making of Medieval England. Co-published with Reaktion Books. 412 p., 16 color plates, ...
www.press.uchicago.edu/ cgi-bin/ hfs.cgi/ 00/ 13679.ctl

Shorter notice. Mirror in Parchment. The Luttrell Psalter and the ...
Mirror in Parchment. The Luttrell Psalter and the Making of Medieval England. Michael Camille. M Prestwich enghis 114:458458, 955-956, Copyright 1999, 1999.
ehr.oxfordjournals.org/ cgi/ content/ citation/ 114/ 458/ 955-a

Michael Camille
His book Medieval Art of Love,1997, was followed by Mirror in Parchment: The Luttrell Psalter and the Making of Medieval England, his last book published in ...
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The Chronicle: 12/14/2001: A Prolific Medievalist Challenges Art ...
He did that most extensively in Mirror in Parchment: The Luttrell Psalter and the Making of Medieval England (University of Chicago Press, 1998). ...
chronicle.com/ free/ v48/ i16/ 16a01401.htm

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commons.wikimedia.org/ wiki/ Image:Scottish_Atrocities.JPG

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À propos de l'auteur (1998)

Michael Camille is Mary J. Block Professor of Art History at the University of Chicago.

Adrian Rifkin is Professor of Visual Culture and Media at Middlesex University.

The editors have both published widely in art history and visual culture, and have contributed significantly to current discourses in gay and queer theory and dialogues and debates about sexuality.

Informations bibliographiques