Image on the Edge: The Margins of Medieval Art

Couverture
Reaktion Books, 1992 - 176 pages
7 Avis
What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished.

Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.
  

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LibraryThing Review

Avis d'utilisateur  - cdddddd - LibraryThing

This book is good because of the subject - what do all those seemingly random doodles on the margin mean? Why is a knight fighting a snail? Why is a giant head with two legs walking around? But it ... Consulter l'avis complet

Review: Image on the Edge: The Margins of Medieval Art

Avis d'utilisateur  - John Carter McKnight - Goodreads

What a fascinating little book! Camille uses the marginal illustrations of medieval manuscripts as a window into a complex, alien world of medieval culture and its symbols. A medievalist would gain ... Consulter l'avis complet

Table des matières

Acknowledgments
7
In the Margins of the Monastery
56
In the Margins of the Cathedral
77
In the Margins of the Court
99
In the Margins of the City
129
The End of the Edge
153
Droits d'auteur

Expressions et termes fréquents

Fréquemment cités

Page 171 - Renaissance texts & stadies is the publishing program of the Center for Medieval and Early Renaissance Studies at the State University of New York at Binghamton.

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À propos de l'auteur (1992)

Before his death in 2002 Michael Camille was Professor of Art History at the University of Chicago. His books include Mirror in Parchment(Reaktion, 1998) and The Gothic Idol: Ideology and Image-Making in Medieval Art(1989).

Informations bibliographiques