Unity and Design in Horace's OdesUNC Press Books, 1986 - 251 pages Horace's first three books of Odes, published together in 23 B.C., are a masterpiece of Augustan literature and the culmination of classical lyric. Matthew Santirocco provides the first new critical approach to them in English in more than two deca |
Table des matières
HORACES ODES AND THE ANCIENT POETRY BOOK | 3 |
THE PARADE ODES THE POETICS OF INITIATION | 14 |
THE FIRST BOOK CONTINUED | 42 |
THE SECOND BOOK | 83 |
THE THIRD BOOK PUBLIC AND PRIVATE VOICES | 110 |
THE THIRD BOOK THE POETICS OF CLOSURE | 132 |
THE ENSEMBLE | 150 |
CONCLUSIONS | 169 |
NOTES | 177 |
| 215 | |
| 235 | |
| 239 | |
| 243 | |
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Expressions et termes fréquents
Aeneid aesthetic Aetia Alcaeus Alcaic allegory allusion Anordnung Apollo Archytas arrangement Augustan Augustan poetry Augustus Bacchus Bacchus ode Bucolics Caesar Callimachean Callimachus Carm Catullus celebrate Chloe Classical collection Collinge Commager context contrast convivia death Dettmer drink earlier epic erotic example explicit Faunus Finally Fortuna frame function gods Greek Hellenistic Horace's Odes Horatian Horaz hymn imagery individual odes Lamia Latin literary Lydia lyre lyric Maecenas Maecenas odes Maecenas's Mercury metaphor meter metrical Muse Nisbet and Hubbard Oden Odes of Horace opens Oxford Parade Odes patron Philology Pindar placement poem's poems poet poet's poetic poetry book political polymetra Posidippus prayer Propertius reader recusatio reference relevance ring composition role Roman Odes Sapphic Satires sequence ship Similarly song specific strophe Structure of Horace's suggested Teucer thematic theme Theocritus Tibullus tion traditional University Press variatio Venus Vergil Vergilian whereas wine word