Acting: A Handbook of the Stanislavski MethodToby Cole Crown Trade Paperbacks, 1995 - 272 pages "Known the world over as the father of the Method, Constantin Stanislavski revolutionized the way actors practice their craft. In this collection of essays by Stanislavski and his students who carried the method forward into the modern period, the actor will find indispensable aid in developing his or her craft, freeing creativity and spontaneity, and discover valuable advice from the master himself." -- Publisher's description |
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Page 205
... shooting desiderates a correspondingly especially clear , definite , and detailed absorption by the actor of the wholeness of his role . Systematic rehearsal work in the cinema prior to shooting has so far been conducted only by way of ...
... shooting desiderates a correspondingly especially clear , definite , and detailed absorption by the actor of the wholeness of his role . Systematic rehearsal work in the cinema prior to shooting has so far been conducted only by way of ...
Page 210
... shooting . Hitherto the actor , encountering only the complexly con- structed shooting script of the director , able to envisage his own future work only abstractly , has been deprived of the pos- sibility of determining clearly and ...
... shooting . Hitherto the actor , encountering only the complexly con- structed shooting script of the director , able to envisage his own future work only abstractly , has been deprived of the pos- sibility of determining clearly and ...
Page 211
... shooting script into an acting script . This new acting or rehearsal script would not merely represent the solution of the given shooting problem as set out in the shooting script , but also the concrete fulfillment of the require ...
... shooting script into an acting script . This new acting or rehearsal script would not merely represent the solution of the given shooting problem as set out in the shooting script , but also the concrete fulfillment of the require ...
Table des matières
INTRODUCTION BY Lee Strasberg | 13 |
THE ACTORS RESPONSIBILITY by Constantin Stanislavski | 23 |
THE WORK OF THE ACTOR by I Rapoport | 41 |
Droits d'auteur | |
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Expressions et termes fréquents
acting actor and director actor's creative artistic attention attitude audience become begins behaviour CALIFORNIA/SANTA CRUZ character Chichikov cinema colors concentration consciousness Constantin Stanislavski course create creative fantasy CRUZ The University CRUZ UNIVERSITY dead souls Desdemona direct dramatic elements emotions everything exercises experience expression external feeling of truth film gesture given Gogol Iago imagination important inner justification Lilina living manner material means mechanical method Moscow Art Theatre movement muscles muscular freedom muscular tension nature necessary object one's organic Othello performance person Petker phrase physical play playwright Plushkin problem production Quintillian reality rehearsal result rhythm Roderigo role SANTA CRUZ scene scenic script shooting simple action sound speak spectator speech stage action Stanislavski Stanislavski system subconscious technique theatrical thing thoughts tion Uncle Vanya understand University Library UNIVERSITY UNIVERSITY OF CALIFORNIA UNIVERSITY OF CALIFORNIA/SANTA Vakhtangov voice watch whole words