Compromising Kino: The Development of Socialist Realist Film Style in the Soviet Union, 1928-1935

35mm print action aesthetic appears argued artistic attempt attention audience become begins camera certainly changes Chapaev chapter characters classical concerns Conference consistently continued criticism cultural debates demonstrate direction discussion early editing effect Eisenstein entirely example experimentation face fact figure Film Factory film style film's Five-Year Plan frame History Hollywood ideological important Jolly Fellows Kino Maksim masses montage flourish Moscow Moskva narrative offered official opening organizations overall particular Party perhaps political popular cinema position practice presented production Pudovkin question release rhetoric Russian scene screen seemingly seems sequence Sergei serve shift shot shown Shumiatskii significant simplicity single social Socialist Realism song sound Soviet Cinema Soviet film industry Soviet Montage Soviet Montage filmmakers specific studio style stylistic success suggested throughout twenties ultimately workers York