A Dream of Passion: The Development of the MethodPenguin Publishing Group, 1988 - 201 pages “The definitive source book on acting.”—Los Angeles Times Marlon Brando, Al Pacino, Paul Newman, Dustin Hoffman, Dennis Hopper, Robert DeNiro, Marilyn Monroe, and Joanne Woodward—these are only a few of the many actors training in “Method” acting by the great and legendary Lee Strasberg. This revolutionary theory of acting—developed by Stanislavski and continued by Strasberg—has been a major influence on the art of acting in our time. During his last decade, Strasberg devoted himself to a work that would explain once and for all what The Method was and how it worked, as well as telling the story of its development and of the people involved with it. The result is a masterpiece of wisdom and guidance for anyone involved with the theater in any way. “A must for young actors—for old ones, too, for that matter.”—Paul Newman “An exploration of the creative process that will reward all who are interested in the nature of inspiration.”—Library Journal “An important cultural document.”—Booklist |
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Table des matières
Introduction | 3 |
Stanislavsky and the Search for His System | 42 |
The American Laboratory Theatre | 63 |
Droits d'auteur | |
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ability able achieve acting actor's problem actor's training Actors Studio actress actual affective memory artist asked audience aware basic become behavior Ben-Ami body Boleslavsky Brecht called character Clifford Odets concentration Constantin Stanislavsky Craig create creative critics deal demands described develop Diderot director discovered discoveries Duse Edward Gordon Craig emotional memory ence exercise expression feeling Giovanni Grasso Grasso Grotowski Group Theatre happened Harold Clurman help the actor human ideas imaginary objects imagination imitate improvisation inner inspiration intensity involved Jeanne Eagels Laboratory Theatre lavsky Lee Strasberg Maria Ouspenskaya mental Method Moscow Art Theatre movement muscles never Othello performance play procedures production reaction reality realized recreate rehearsal relaxation remember response role scene seemed sensation sense memory sensory simply stage Stanis Stanislavsky Stanislavsky system started Stockmann suggest tension theatrical thing thought tion tried truth unconscious Vakhtangov voice words