Peter Weiss' The Persecution and Assassination of Jean-Paul Marat: As Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade [a Play]Dramatic Publishing, 1964 - 117 pages Total theatre is the expression critics have used to describe this unique theatrical event which is designed for production on a nearly bare stage by a large and flexible cast. The Marquis de Sade, when an inmate at the Asylum of Charenton, staged plays that were performed by fellow inmates. With this point of departure, Peter Weiss has created one of the most powerful and exciting plays of the century. |
Autres éditions - Tout afficher
Peter Weiss' The Persecution and Assassination of Jean-Paul Marat: As ... Peter Weiss Affichage d'extraits - 1993 |
Peter Weiss' The Persecution and Assassination of Jean-Paul Marat: As ... Peter Weiss Aucun aperçu disponible - 1964 |
Expressions et termes fréquents
Accompanied by chorus arena bandage Barbaroux bathtub bench breathe Caen Charenton Charlotte Corday chorus of PATIENTS cloth copulation copulation CORDAY is led CORDAY stands Corday theme Corday's COULMIER curtain dagger dais everything Fifteen glorious fight forward France front Girondist guillotine hand head hear HERALD knocks three HERALD Prompting JACQUES ROUX Jean-Paul Marat kind of town knees KOKOL CUCURUCU LAVOISIER Long live Marat Look lute MALE NURSES Marat Marat Marat MARAT Raising Marat SADE Marat We're Poor Marat's bath MARQUIS DE SADE mime Monsieur de Sade moves Music ends musical accompaniment neck PATIENT In background platform plays the Corday Points to CORDAY Points to MARAT POLPOCH Long live Poor old Marat priest pull pushed Robespierre ROSSIGNOL SADE stands Sade's SCHOOLMASTER scream Shouting Simonne Simonne SIMONNE stands sing speaks staff stage stay poor Marat there's Tumbrel turned VOLTAIRE wait want our Revolution wears what's whip Whiplash whistle