The Haunting Past and the Production of Racial Subjects: Contemporary Afro-Caribbean Women's Writing, Partie 1University of California, Santa Cruz, 1997 - 446 pages |
Table des matières
INTRODUCTION Coloniality Cultural Identity and Gender | 9 |
Jamaica | 62 |
CHAPTER THREE Political Resistance and the Absence | 95 |
Droits d'auteur | |
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Expressions et termes fréquents
Abeng Afro-Caribbean alienation analysis anthology argues Audre Audre Lorde Audre's Aunt Beatrice Black diasporic Black women Brodber's CALIFORNIA SANTA CRUZ Caribbean women Césaire Césaire's Clare Cliff's colonial violence context Creole creolization critical critique CRUZ The University Damas Damas's Depestre describes despite difference essay experience French gender roles gendered behavior girl Glissant grandmother Guadeloupe Hodge Hurston identity individual Jamaica Kincaid Joebell Kitty Kumbla legacy Library The University Lionnet Lorde's Lucy Lucy's Mariah Médard Merle Hodge Michelle Cliff Miss Mattie mother narrative narrator nègre négritude Negro noire notion novel Pluie et vent poem poetics poetry political racial Reine Sans Nom relationship SANTA CRUZ Schwarz-Bart's self-alienation Senghor slavery stanza story struggle Sylvia Wynter Tee's Telephone to Heaven tells Télumée Télumée's tradition University Library UNIVERSITY UNIVERSITY OF CALIFORNIA UNIVERSITY OF CALIFORNIA/SANTA voice West Indian woman women's writing word Wynter Zami Zoe's Zora Neale Hurston