A Rumor of War

Couverture
Macmillan, 1996 - 356 pages
In March of 1965, Marine Lieutenant Philip J. Caputo landed at Danang with the first ground combat unit committed to fight in Vietnam. Sixteen months later, having served on the line in one of modern history's ugliest wars, he returned home--physically whole, emotionally wasted, his youthful idealism shattered. A decade later, Caputo would write in A Rumor of War, "This is simply a story about war, about the things men do in war and the things war does to them." It was far more than that. It was, as Theodore Solotaroff wrote in The New York Times Book Review, "the troubled conscience of America speaking passionately, truthfully, finally." It was the book that shattered America's deliberate indifference to the fate of the men it sent to fight in the jungles of Vietnam, and in the years since it was first published it has become a basic text on that war. But in the literature of war that stretches back to Homer, it has also taken its place as an esteemed classic. As William Broyles--himself a decorated Marine veteran of Vietnam--wrote in Texas Monthly, "Not since Siegfried Sassoon's classic of World War I, Memoirs of an Infantry Officer, has there been a war memoir so obviously true, and so disturbingly honest."

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À propos de l'auteur (1996)

Philip Caputo was born on June 10, 1941 in Chicago, Illinois. He received a B.A. from Loyola University in 1964. He served in the U.S. Marine Corps from 1964 to 1967. His first book, A Rumor of War (1977), recounts his military tour of Vietnam. He has written more than fifteen books including Horn of Africa, Indian Country, Equation for Evil, Crossers, and The Longest Road. His journalism career began in 1968, when he joined the staff of the Chicago Tribune, serving as a general assignment and team investigative reporter until 1972 and then as a foreign correspondent for the next five years. In 1972 he and Hugh Jones received a Pulitzer Prize for their coverage of election fraud in the primaries. He has also written for the New York Times, Washington Post, the Boston Globe, the Los Angeles Times, and many other publications. He has worked as a screenwriter for Paramount Pictures and Michael Douglas Productions.

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