 | 1789 - 754 pages
...which he was himfelf one of the principal inventors, accompanying the voice-parts with inftruments, to enrich the harmony and. enforce the melody and meaning of the word;, he manifefted equal abilities and refources. In compositions Tor the theatre, though the colouring... | |
 | 1790 - 542 pages
...which he was himfelt on« of the principal inventors, accompanying the voiceparts with inltruments, to enrich the harmony, and enforce the melody and meaning of the words, he inanifelted equal abilities and relburces. In compofitions for the theatre, though the colouring and... | |
 | Edmund Burke - 1792 - 652 pages
...which he was himfelf one of the principal inventors, accompanying the voice parts with initi-uments, to enrich the harmony, and enforce the melody and meaning of the words — he manifefted equal abilities and refources. In competitions for the theatre, though the colouring and... | |
 | Edmund Burke - 1792 - 694 pages
...which he was himfelf one of the principal inventors, accompanying the voice parts with inftrumencs, to enrich the harmony, and enforce the melody and meaning of the words— he manifefted equal abilities and refources. In compofitions for the theatre, though the colouring and... | |
 | Alexander Chalmers - 1816 - 540 pages
...and the several parts are constantly moving in fugue, imitation, or plain counterpoint ; or, giving way to feeling and imagination, adopted the new and...himself one of the principal inventors, accompanying the voice-parts with instruments, to enrich the harmony, and enforce the melody and meaning of the words,... | |
 | John Aikin - 1813 - 720 pages
...and the several parts are constantly moving in fugue, imitation, or plain counterpoint; or, giving way to feeling and imagination, adopted the new and...accompanying the voice -parts with instruments, to enrich die harmony, and enforce die melody and meaning of the words, he manifested equal abilities and resources.... | |
 | Allatson Burgh - 1814 - 524 pages
...and the several parts moving in fugue, imitation, or plain counterpoint; or, on the contrary, giving way to feeling and imagination, adopted the new and...abilities and resources. In compositions for the theatre, though the colouring and effects of an orchestra were then but little known, yet as he employed them... | |
 | 1824 - 262 pages
...which no instrument is employed but the organ, and the several parts moving in fugue, imitalion,or plain counterpoint; or, on the contrary,giving way...abilities and resources. In compositions for the theatre, though the colouring and effects of an orchestra were then but little known, yet as he employed them... | |
 | 1825 - 590 pages
...organ, and the several parts are constantly moving in fugue, imitation, or plain counterpoint, or giving way to feeling and imagination, adopted the new and...instruments to enrich the harmony and enforce the melody and the meaning of the words, he manifested equal abilities and resources." Indeed the learned Doctor has... | |
 | Englishmen - 1835 - 476 pages
...but the organ, and the several parts are constantly moving in fugue and counterpoint, — or, giving way to feeling and imagination, adopted the new and...himself one of the principal inventors, accompanying the voice-parts with instruments to enrich the harmony, — he manifested equal abilities and resources.... | |
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... with instruments to enrich the harmony and enforce the melody and meaning of the words, he manifested equal abilities and resources. In compositions for the theatre, though the colouring and effects of an orchestra were then but little known, yet,... 
