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Not wanted on the voyage

Couverture
62 Avis
Viking, 1984 - 352 pages
From one of Canada's most distinguished novelists comes this brilliant and wild retelling of the story of Noah and the Great Flood that has been acclaimed by critics everywhere. Findley's earlier novel, Wars, received Canada's Governor's Award and the City of Toronto's Book Award.

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5 étoiles
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The story telling was dark, funny, and very clever. - Goodreads
Very amusing - sarcastic- I like his writing. - Goodreads
I loved the imagery, but it was a little too much. - Goodreads

Review: Not Wanted on the Voyage

Avis d'utilisateur  - Clare Zeschky - Goodreads

Still can't decide if I enjoyed this or not. Fabulously funny, terribly clever but toward the end I just felt the action was unravelling. The purpose and drive of the first half seemed to fade off. I ... Consulter l'avis complet

Review: Not Wanted on the Voyage

Avis d'utilisateur  - Mitchell Smith - Goodreads

Truly thought-provoking! An interesting take on the story of "The Flood" with a mix of evolution/natural selection. A fantastic piece of literature. Consulter l'avis complet

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Table des matières

Section 1
3
Section 2
7
Section 3
58
Droits d'auteur

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À propos de l'auteur (1984)

Timothy Findley was born in 1930. A native of Toronto, Canada, novelist and playwright Timothy Findley initially embarked upon an acting career. Findley worked for the Canadian Stratford Festival and later, after study at London's Central School of Speech and Drama, he toured Britain, Europe, and the United States as a contract player. While performing in The Matchmaker by Thornton Wilder, Findley was encouraged by the playwright to write fiction. Influenced by film techniques, Findley's first novel, The Last of the Crazy People (1967) is a penetrating look at a family of "emotional cripples" from a child's perspective. With his character Hooker, Findley captures the irrational logic of a child's mind without treating childhood sentimentally.The Butterfly Plague followed in 1969. The Wars (1978), Findley's most successful novel, has been translated into numerous languages and was made into a film. The Wars uses the device of a story-within-a-story to illustrate how a personality transcends elemental forces even while being destroyed by them. In 1981 Famous Last Words was published. This fictionalization of Hugh Selwyn Mauberley by Ezra Pound, a work that was already a "fictional fact," examines fascism. In Not Wanted on the Voyage (1984), Findley rewrites the story of Noah's Ark by giving voices to women, children, workers, animals, and folklore creatures, all of whom question Noah's authority. The novel turns into a parable that seems to challenge imperialism, eugenics, fascism, and any other force that endangers human survival. Again repeating an earlier text, Findley turns to Thomas Mann's Death in Venice to write The Telling of Lies (1986). This novel draws parallels between World War II atrocities and contemporary North America, which Findley sees as a metaphoric concentration camp. Findley died on June 20, 2002 in Provence, France

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