| Linda Hutcheon, Michael Hutcheon - 1996 - 324 pages
An interdisciplinary study of the interconnected subtexts of erotic attraction, illness, and death in several 19th- and 20th-century operatic texts. This is an examination of ... | |
| Linda Hutcheon, Michael Hutcheon - 2000 - 438 pages
Studies the musical, textual, dramatic, and narrative ways in which opera performers use and give meaning to their physical bodies, and analyzes the ways the audience perceives ... | |
| Joseph P. Natoli, Linda Hutcheon - 1993 - 608 pages
These readings are organized into four sections. The first explores the wellsprings of the debates in the relationship between the postmodern and the enterprise it both ... | |
| Linda Hutcheon - 1994 - 262 pages
Irony's Edge is a fascinating, compulsively readable study of the myriad forms and the effects of irony. It sets out, for the first time, a sustained, clear analysis of the ... | |
| R. Barry Rutland - 1992 - 104 pages
Northrop Frye embellishes the theory of genre in "Henry James and the Comedy of the Occult." In "The Power of Postmodern Irony," Linda Hutcheon furthers her reputation as a ... | |
| Linda Hutcheon, Michael Hutcheon - 2004 - 274 pages
"In Opera: The Art of Dying a physician and a literary theorist bring together scientific and humanistic perspectives on the lessons on living and dying that this extravagant ... | |
| Linda Hutcheon - 2010 - 182 pages
Linda Hutcheon, in this original study, examines the modes, forms and techniques of narcissistic fiction, that is, fiction which includes within itself some sort of commentary ... | |
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