Cooperation and Competition Among Primitive Peoples

Couverture
Margaret Mead
Transaction Publishers, 1 nov. 2002 - 544 pages

When, in 1935, Margaret Mead was asked by a member of the interdisciplinary committee of the Social Science Research Council to prepare a survey of several cultures for publication, she ended up creating a model for future ethnological survey texts, as well as furthering the understanding of cultural relativism in anthropological studies. The result of her work, Cooperation and Competition Among Primitive Peoples, is fascinating. The essays do not purport to be source materials on the peoples being studied, but rather have been assembled as interpretative statements, meant to provide a background for planning future research in this field in our own society.

In many respects, this volume is a pioneer effort in anthropological literature. It remains firmly part of the genre of cooperative research, or "interdisciplinary research," though at the time of its original publication that phrase had yet to be coined. Additionally, this work is more theoretical in nature than a faithful anthropological record, as all the essays were written in New York City, on a low budget, and without fieldwork. The significance of these studies lies in the fact that Cooperation and Competition Among Primitive Peoples was the first attempt to think about the very complex problems of cultural character and social structure, coupled with a meticulous execution of comparative study. This work will be of great interest to anthropologists, cultural theorists, and students of interdisciplinary research.

The distinguished contributors include: Margaret Mead, the editor of this volume, who authored "The Arapesh of New Guinea," "The Manus of the Admiralty Islands," and "The Samoans"; Jeannette Mirsky, who contributed "The Eskimo of Greenland" and "The Dakota"; Ruth Landes, who wrote "The Ojibwa of Canada"; May Mandelbaum Edel, author of "The Bachiga of East Africa"; Irving Goldman, who contributed "The Ifugao of the Philippine Islands," "The Kwakiutl of Vancouver Island," "The Zuni of New Mexico," and "The Bathonga of South Africa"; Buell Quain, who penned "The Iriquois"; and Bernard Mishkin, author of "The Maori of New Zealand."

Margaret Mead (1901-1978) was associated with the American Museum of Natural History in New York for over fifty years, becoming Curator of Ethnology in 1964. She taught at Columbia University and the New School for Social Research as well as a number of other universities, and served as president of the American Association for the Advancement of Science and the American Anthropological Association. Among her many books is Continuities in Cultural Evolution, available from Transaction Publishers.

À l'intérieur du livre

Table des matières

INTRODUCTION
1
CHAPTER I
20
CHAPTER II
51
CHAPTER III
87
CHAPTER IV
127
CHAPTER V
153
CHAPTER VI
180
CHAPTER VII
210
MARGARET MEAD
282
CHAPTER X
313
THE DAKOTA
382
INTERPRETIVE STATEMENT
458
Appraisal 1961
516
Cooperation and Competition in GeometricVectorial
526
Index
533
Droits d'auteur

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Page 333 - No field of activity competes with ritual for foremost place in their attention. Probably most grown men among the western Pueblos give to it the greater part of their waking life. It requires the memorizing of an amount of word-perfect ritual that our less trained minds find staggering, and the performance of neatly dovetailed ceremonies that are charted by the calendar and complexly interlock all the different cults and the governing body in endless formal procedure.
Page 349 - Owing to her bright mind and excellent memory, she was called upon by her own clan and also by the clans of her foster mother and father when a long prayer had to be repeated or a grace was to be offered over a feast. In fact she was the chief personage on many occasions. On account of her physical strength all the household work requiring great exertion was left for her, and while she most willingly took the harder work from others of the family, she would not permit idleness; all had to labor or...
Page 199 - The gift of this dance means that the protege' oi the spirit is to perform the same dances which have been shown to him. In these dances he personates the spirit. He wears his mask and his ornaments. Thus the dance must be considered a dramatic performance of the myth relating to the acquisition of the spirit, and shows to the people that the performer by his visit to the spirit has obtained his powers and desires.
Page 8 - The struggle between rivals for the same trade at the same time ; the act of seeking or endeavoring to gain what another is endeavoring to gain at the same time.
Page 31 - ... man's accumulating wealth disproportionate to the wealth accumulated by others. If there is meat on his smoking rack over the fire, it is either meat which was killed by another . . . and has been given to him, in which case he and his family may eat it; or, it is meat which he himself has killed and which he is smoking to give away to someone else, for to eat one's own kill, even though it be only a small bird, is a crime to which only the morally — which usually means in Arapesh, mentally...
Page 3 - Proceedings : Second Colloquium on Personality Investigation Held under the Joint Auspices of the American Psychiatric Association Committee on Relations of Psychiatry and the Social Sciences, and of the Social Science Research Council, November 29-30, 1929, pp. 41-43 and passim. Baltimore : Johns Hopkins Press, 1930 « The Relation of Research to the Social Process...
Page 192 - The chiefs of all the tribes are my servants, the chiefs of all the tribes are my speakers. They are pieces of copper which I have broken. [The people:] Do not let our chief rise too high. Do not let him destroy too much property, else we shall be made like broken pieces of copper by the great breaker of coppers, the great splitter of coppers, the great chief who throws coppers into the water, the great one who can not be surpassed by anybody, the one surmounting all the chiefs. Long ago you went...
Page 17 - Culture means human culture, the whole complex of traditional behavior which has been developed by the human race and is successively learned by each generation.
Page 16 - behavior in which the individual strives toward his goal without reference to others" (Mead 1937: 16), is not a way of relating to others.

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