Minimal Art: A Critical Anthology

Couverture
Gregory Battcock
University of California Press, 3 août 1995 - 454 pages
"So perspicuous was Battcock's choice of articles in Minimal Art that his book has proved to be an exceptionally telling index of the critical discourse of its time. This is the key primary source book—for that matter it remains the key book—on the subject of Minimal Art, a movement that has lately, newly become a topic of consuming interest to many modern art historians, critics, curators and artists."—Anna C. Chave, author of Mark Rothko: Subjects in Abstraction

"Good criticism of contemporary art movements is both rare and scattered, and readers with access to a wide range of periodicals and catalogue introductions are few. . . Minimal Art is so obviously the most important movement of the 1960s, and equally certainly will continue to be so in the early 1970s, that this anthology will be a valuable compilation of statements by artists and assessments by critics."—David Irwin, Apollo
 

Table des matières

I
1
II
17
III
35
IV
59
V
90
VI
99
VII
105
VIII
112
XVI
218
XVII
232
XVIII
247
XIX
252
XX
259
XXI
270
XXII
294
XXIII
304

IX
144
X
161
XI
171
XII
183
XIII
191
XIV
196
XV
205
XXIV
313
XXV
355
XXVI
377
XXVII
383
XXVIII
396
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À propos de l'auteur (1995)

Gregory Battcock was a painter, lecturer in art history and criticism, and editor of The New Art: A Critical Anthology and The New American Cinema. He was a frequent contributor to Arts Magazine, Art and Literature, College Art Journal, and Film Culture. Anne M. Wagner is Professor of the History of Art, University of California, Berkeley.

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