Notes on the Synthesis of Form

Couverture
Harvard University Press, 1964 - 216 pages
3 Avis

"These notes are about the process of design: the process of inventing things which display new physical order, organization, form, in response to function." This book, opening with these words, presents an entirely new theory of the process of design.

In the first part of the book, Mr. Alexander discusses the process by which a form is adapted to the context of human needs and demands that has called it into being. He shows that such an adaptive process will be successful only if it proceeds piecemeal instead of all at once. It is for this reason that forms from traditional unselfconscious cultures, molded not by designers but by the slow pattern of changes within tradition, are so beautifully organized and adapted. When the designer, in our own self-conscious culture, is called on to create a form that is adapted to its context he is unsuccessful, because the preconceived categories out of which he builds his picture of the problem do not correspond to the inherent components of the problem, and therefore lead only to the arbitrariness, willfulness, and lack of understanding which plague the design of modern buildings and modern cities.

In the second part, Mr. Alexander presents a method by which the designer may bring his full creative imagination into play, and yet avoid the traps of irrelevant preconception. He shows that, whenever a problem is stated, it is possible to ignore existing concepts and to create new concepts, out of the structure of the problem itself, which do correspond correctly to what he calls the subsystems of the adaptive process. By treating each of these subsystems as a separate subproblem, the designer can translate the new concepts into form. The form, because of the process, will be well-adapted to its context, non-arbitrary, and correct.

The mathematics underlying this method, based mainly on set theory, is fully developed in a long appendix. Another appendix demonstrates the application of the method to the design of an Indian village.

 

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LibraryThing Review

Avis d'utilisateur  - millsge - LibraryThing

One of the rarest of books. Alexander's ideas transcend architecture and are applicable to almost any human endeavor - his concept of 'fit' and the mathematics behind it should be introduced during primary school and form an integral part of all curricula all the way up to the PhD level. Consulter l'avis complet

LibraryThing Review

Avis d'utilisateur  - ghd-read - LibraryThing

I was recommended this book as a way of understanding where the idea of Design Patterns came from in software engineering and I have to admit that I was very sceptical that it would be any use ... Consulter l'avis complet

Table des matières

The Program
73
The Realization of the Program
84
Definitions
95
Solution
116
Epilogue
132
Mathematical Treatment
174
Notes
193
Droits d'auteur

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Fréquemment cités

Page 201 - And thou shalt set the table without the vail, and the candlestick over against the table on the side of the tabernacle toward the south: and thou shalt put the table on the north side. 36 And thou shalt make an hanging for the door of the tent, of blue, and purple, and scarlet, and fine twined linen, wrought with needlework.
Page 132 - My main task has been to show that there is a deep and important underlying structural correspondence between the pattern of a problem and the process of designing a physical form which answers that problem. I believe that the great architect has in the past always been aware of the patterned similarity of problem and process, and that it is only the sense of this similarity of structure that ever led him to the design of great forms.
Page 201 - I AM black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon.
Page 211 - The piecemeal engineer will, accordingly, adopt the method of searching for, and fighting against, the greatest and most urgent evils of society, rather than searching for, and fighting for, its greatest ultimate good a.
Page 59 - But the wildness of the desire is tempered by man's limited invention. To achieve in a few hours at the drawing board what once took centuries of adaptation and development, to invent a form suddenly which clearly fits its context — the extent of the invention necessary is beyond the average designer.
Page 19 - The form is a part of the world over which we have control, and which we decide to shape while leaving the rest of the world as it is. The context is that part of the world which puts demands on this form; anything in the world that makes demands of the form is context.
Page 15 - It is based on the idea that every design problem begins with an effort to achieve fitness between two entities: the form in question and its context. The form is the solution to the problem; the context defines the problem. In other words, when we speak of design, the real object of discussion is not the form alone, but the ensemble comprising the form and its context.
Page 4 - But now our position is different: "At the same time that the problems increase in quantity, complexity, and difficulty they also change faster than before...

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