Preparation for Painting: The Artist's Choice and Its Consequences

acrylic emulsion alkyd analysis animal glue Anna Ancher applied areas artists binder binding medium bleaching Boon BSE images canvas paintings Carlyle Cennini century chalk ground coat Conservation cracks Cranach cross-section darkened drying oil fibres Figure fillers flax flour FTIR gesso glue ground layer ground recipes gypsum historical icon imprimatura ion polishing isolation layer kaolin Kauffmann layer of lead lead soaps lead white lead white oil linen linseed oil Liquitex London Louvre materials Mauritshuis microscopy mixture Musée Museum National Gallery oil paint paint layers paint samples painters painting technique panel paintings parchment Paris pastel Peinture Philippines Pierre Soulages pigment Potash lye preparatory layers prepared priming reconstructions Rubens shows Sickert Skaug Soulages St Gallen streaks stretcher surface surfactant Table Talens temperature thick thin threads TiO₂ paint tion transparent paintings Treatment cycles turpentine underdrawing varnish weave Winsor & Newton wood