Redeeming the Text: Latin Poetry and the Hermeneutics of Reception
Cambridge University Press, 1993 - 117 pages
This book applies some of the procedures of modern critical theory (in particular reception-theory, deconstruction, theories of dialogue and the hermeneutics associated with the German philosopher Gadamer) to the interpretation of Latin poetry. Charles Martindale argues that we neither can nor should attempt to return to an ‘original’ meaning for ancient poems, free from later accretions and the processes of appropriation; more traditional approaches to literary enquiry conceal a metaphysics which has been put in question by various anti-foundationalist accounts of the nature of meaning and the relationship between language and what it describes. From this perspective the author examines different readings of the poetry of Virgil, Ovid, Horace and Lucan, in order to suggest alternative ways in which those texts might more profitably be read. Finally he focuses on a key term for such study ‘translation’ and examines the epistemological questions it raises and seeks to circumvent.
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Actaeon Aeneas Aeneid aesthetic already appropriation argued artistic Augustus becomes C.S. Lewis Caesar canon Catullus character Christian Cinyrae claim classical closure Columcille conception constituted constructed context continuing contrast criticism cultural Dante Dante's deconstruction described destabilized dialogue discourse distinction Dryden's Eclogue ecphrasis epic essay example fiction foreign gentleman Gadamer genre hermeneutics Hero and Leander Homer Horace Horace's human ideology implications interpretation Jenkyns Kermode language Latin linguistic literary literature London Lucan Maclntyre Marlowe Marsyas Martindale meaning metaphrase metaphysical Milton modern modes Myrrha narrative nature notion Oedipus the King original Ovid Ovid's Ovidian Ozymandias paradoxical Parry's particular partly past Pharsalia Podsnap poem poet poetic poetry possible reader reading practices reception theory reified rhetoric Roman seen sense significance Steiner story T.S. Eliot taste textual Titian tradition translation trope understanding Virgil Virgilian voice Weinsheimer 1991 words writing
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