Satie seen through his letters

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M. Boyars, 1989 - 239 pages
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Satie seen through his letters

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Interest in Satie, one of music's eccentrics, may revive, for today's minimal music owes much to his aesthetic of restraint and purity. The eccentricity, the strange and humorous behavior, are ... Consulter l'avis complet

Table des matières

Acknowledgements
7
John Cage By Way of an Introduction
9
Preface
11
Droits d'auteur

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À propos de l'auteur (1989)

At the age of 13, Erik Satie went to Paris, where he attended the Paris Conservatory. He soon, however, relinquished his formal and systematic study of music. Early in his career, he played in cabarets in Montmartre. In 1892 he began to produce short piano pieces with eccentric titles, intended to ridicule proponents of both modern and classical music. He was 40 years old when he decided to learn about the techniques of composition. Although he was dismissed as a serious musician by his contemporaries, Satie greatly influenced French musicians of a younger generation. He became well known as an innovator in the modern idiom after his death.

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