Selected Poems

Couverture
New Directions Publishing, 1997 - 171 pages
Duncan, like Dante, was a poet of cosmic imagination, intensely aware of his and poetry's role in the ever-expanding logos of creation. His Selected Poems, first published in 1993, is a "useful and portable compilation," says critic Tom Clark, that "provides the most comprehensive available look at the career of the Bay Area's greatest lyric poet." Editor Robert J. Bertholf has enlarged the original collection to include eleven additional poems and excerpts. The second edition of the Selected Poems fully fleshes out the retrospective of works chosen from the whole of Duncan's writing life. From his early poems through his final Ground Work volumes, as well as his serial poems, "Structures of Rime" and "Passages," composed over the course of thirty years, there emerges a prophetic voice of great perception.
 

Table des matières

from Early Poems 193946
1
from Berkeley Poems
8
from A Book of Resemblances 195053
25
from Letters 195356
40
from The Opening of the Field 1960
54
from Roots and Branches 1964
74
STRUCTURE OF RIME XVII
92
From The Mabinogion
98
Before the War 1984
124
from Dante Études
140
11
168
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À propos de l'auteur (1997)

A leading poet of the San Francisco renaissance, Robert Duncan is a member of the international avant-garde. Born in Oakland, California, he has been an editor, a teacher at Black Mountain College and assistant director of the Poetry Center at San Francisco State College. Highly regarded by fellow nonacademic poets, Duncan's poetry is at once learned and spontaneous. Its form seems at once innate and wrought, complex, and wonderfully musical. He received the Harriet Monroe Memorial Prize (1960),a Guggenheim Memorial Award (1963), the Levinson Poetry Prize (1964), a National Endowment for the Arts grant (1967), and the Eunice Tietjens Memorial Prize (1967). After a self-imposed silence of many years, Duncan published a challenging volume in 1984, The Ground Work, a book he designed himself. He continues to be one of the chief advocates for the poem as "wisdom literature" and not just personal expression or artifact.

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