Soviet Film Music: An Historical Survey

Couverture
Psychology Press, 1997 - 311 pages
In the years 1917 to 1991, despite unfavourable prevailing conditions, there were a number of achievements in the music created for the cinema in the Soviet Union. This volume attempts a historical analysis of Soviet film music and its place in world cinema.
 

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Table des matières

the 1930s and early 40s
19
The formation of other genres in musical cinema
49
The fortunes of film music in the hard times of the War
71
mastering the genres of filmopera and filmoperetta
89
Music in the postwar cinema of the late forties and early fifties
115
film music of the postStalinist period
133
Change of fortune New means of expression in the language
145
The mixed and chamber types of musical dramaturgy
157
The rise and fall of film music in the period of stagnation
213
Human tragedy as reflected in film music
221
Extending the expressive means of film music A search for
229
film music in the work of Artemyev
249
a change in orientation A transition from
259
Black wave aesthetics and music The crisis of film music under
273
The innovative experiments of Alexander Sokurov and Andrei
281
Notes
289

Music by Nadezhda Simonyan and Dmitry Shostakovich in film
167
An upsurge of interest in musical cinema Ways of solving
185
The zenith of musical achievements in the directors cinema of
193
Filmography
297
Index
305
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À propos de l'auteur (1997)

Dr. Tatiana Egorova lectures at the Institute of Cinema and Television in St. Petersburg.

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