The Contemporary ArrangerAlfred Music Publishing, 1975 - 233 pages An authoritative, easy-to-understand text covering all aspects of arranging. This beautifully bound edition contains a compact disc with examples performed by jazz greats such as George Benson, Freddie Hubbard, Hubert Laws and Don Sebesky's complete orchestra. The comb binding creates a lay-flat book that is perfect for study and performance. |
Table des matières
CHAPTER ONE BASICS | 2 |
CHAPTER TWO WIND INSTRUMENTS | 12 |
TRACK 4 | 22 |
CHAPTER THREE STRINGS | 102 |
CHAPTER FOUR THE RHYTHM SECTION | 165 |
CHAPTER FIVE THE SYNTHESIZER | 187 |
CHAPTER SEVEN MELODIC CONSIDERATIONS | 199 |
CHAPTER EIGHT THE IMPORTANCE OF THE LYRIC | 214 |
CHAPTER NINE THE RECORDING STUDIO | 226 |
CHAPTER TEN GENERAL ADVICE | 235 |
Autres éditions - Tout afficher
Expressions et termes fréquents
achieve acoustic alto flutes arranger aural baritone basic bass clarinet bass trombone bassoon blend brass section cellos Chapter chord CLAR clef close position color combination CONCERT KEY CONCERT SKETCH create CRESC double stops drum effect electronic English horn ensemble sound especially finger flugelhorns French horn GLISS glissando guitar harmonic harp high register indicate instrument jazz low register lyric melodic motion middle register mute notes Notice oboe octave OCTAVE HIGHER octave lower open string orchestral overall sound overdub passage pedal phrase piano PICCOLO pitch pizzicato played POCO possible produce RANGE WRITTEN recorded example number reed rhythm section saxophones score solo song sonority SOUNDS AN OCTAVE SOUNDS AS WRITTEN string ensemble string section SUL TASTO TBNS tempo TENOR tone TPTS track trills trumpet tuba tune UNIS unison usually violas violins VLNS vocal voice leading woodwind writing