Theorizing Bruce Lee: Film-fantasy-fighting-philosophyRodopi, 2010 - 255 pages "Taking on Martin Heidegger and Slavoj ÄiPek as well as drawing on Jacques Derrida, Michel Foucault, Guy Debord, Jacques RanciFre, Rey Chow, and Stuart Hall, among others, Bowman shows how Bruce Lee 'speaks' to the philosophical debates that frame our understanding of global popular culture today. Although Bowman may not be able to resolve the philosophical battles surrounding our ability to 'know' Bruce Lee, he does a remarkable job of articulating why Bruce Lee remains an essential force within not only world cinema but global culture û both 'high' and 'low.' Armoured with his philosophical nunchakus, Bowman goes to battle with anyone who may doubt Lee's ongoing importance, and this book will undoubtedly become essential reading for everyone (from philosopher to kung fu practitioner) interested in popular culture and Asian cinema."ûGina Marchetti (University of Hong Kong), author of Romance and the "Yellow Peril": Race, Sex and Discursive Strategies in Hollywood Fiction, and From Tian'anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens, 1989-1997. -- |
Table des matières
| 3 | |
| 39 | |
Contingency Universality and Narcissistic Violence | 124 |
Interpellating the Dragon | 151 |
Bruce Lees Bamboo from Kill Bill to Fight Club | 158 |
Chapter Four FightingPhilosophy | 165 |
The Undecidability of Bruce | 172 |
Forget Teaching and Learning | 224 |
Brushes with Bruce Lee as Body | 248 |
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actually aesthetic approach arguably argues argument articulation Asian audience authentic become belief body Bolelli Bruce Lee Buddhism calls chapter Chinese martial Chinese martial arts choreography Chow cinematic claims Confucianism context course critics cultural studies Dan Inosanto Debord deconstruction Derrida discourses Durden encounter Enter the Dragon ethnic fact fantasy Fight Club Game of Death Ghost Dog Giroux Hong Kong Hunt ideas identity ideology Inosanto institution interpellation interpretation Japanese jeet kune karate kicks Krug kung fu Lee's lesson martial artist martial arts films masculinity Miller Morris movie Mowitt multiculturalism myth narcissism notion nunchakus oriental original pedagogy perhaps philosophy political popular postmodern practices problem problematic proposes question Rancière reality regarded relation representation scene sense Shaolin significance Silent Flute simply Slavoj Žižek social spectacular stereotypes style Taoism techniques thing tion traditional transformation Tyler violence West Western wing chun words Žižek Žižekian