Toward a Cognitive Theory of Narrative ActsUniversity of Texas Press, 1 juin 2010 - 328 pages Features a collection of essays that explore the various cultural phenomena, including art, music, literature, and film. This title shows how music, art, literature, and film work in and of themselves and also how they are interconnected. |
Table des matières
The Sciences and Humanities Matter as One | 1 |
Narrative as Nourishment | 37 |
Narrative Empathy | 61 |
Toward a New Semiotics of Film | 95 |
An Evolutionary Approach to | 119 |
Dreaming and Narrative Theory | 141 |
CrossCultural MindReading or Coming to Terms with the Ethnic | 161 |
Abandoning Representation | 205 |
Reading Literature in an | 227 |
Emotion and Appraisal | 251 |
Glossary | 281 |
Contributors | 313 |
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Expressions et termes fréquents
absorption action activation amygdala anterior cingulate cortex appraisal Aristotle artists audience authors behavior Biolinguistic body brain Cambridge cinema Cognitive Science concept conceptual metaphors consciousness context Cornwall critics cultural daughter David Herman discourse effects elicit embodied transparency emotional empathetic ethical evolutionary example experience feelings film filmic focalization Fried Frijda function garden-path ghrelin human images imagination instance involved Kuiken language linguistic literary literature lucid dreams Macbeth Maxine meaning memory mental mind-reading mirror neurons moral mother narrative empathy narrative fiction narrative theory narratology narrator nature Neuroscience novel painting perceived perspective play Psychology readers reading relation representation response role semantic semiotic sense sentence Shakespeare shot situation social specific story storytelling strategic empathy structure subjects suggests syntactical syntagma Theory of Mind tion tive torture understanding universal grammar University Press visual voice and perception weird sisters York Zunshine