Buddhism and American Cinema

John Whalen-Bridge, Gary Storhoff (1947 2011)
SUNY Press, 31 juil. 2014 - 273 pages
Discusses both depictions of Buddhism in film and Buddhist takes on a variety of films.

In 1989, the same year the Dalai Lama was awarded the Nobel Peace Prize, a decade-long boom of films dedicated to Buddhist people, history, and culture began. Offering the first scholarly treatment of Buddhism and cinema, the editors advise that there are two kinds of Buddhist film: those that are about Buddhists and those that are not. Focusing on contemporary American offerings, the contributors extend a two-pronged approach, discussing how Buddhism has been captured by directors and presenting Buddhist-oriented critiques of the worlds represented in films that would seem to have no connection with Buddhism. Films discussed range from those set in Tibet, such as Kundun and Lost Horizon, to those set well outside of any Buddhist milieu, such as Groundhog Day and The Matrix. The contributors explain the Buddhist theoretical concepts that emerge in these works, including karma, the bardo, and reincarnation, and consider them in relation to interpretive strategies that include feminism, postcolonialism, and contemplative psychological approaches.

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Table des matières

Some Hollywood Versions of Enlightenment
Part I Representation and Intention
Part II Allegories of Shadow and Light
On Being Luminous
About the Contributors
Droits d'auteur

Autres éditions - Tout afficher

Expressions et termes fréquents

À propos de l'auteur (2014)

John Whalen-Bridge is Associate Professor of English at the National University of Singapore. Gary Storhoff (1947 2011) was Associate Professor of English at the University of Connecticut, Stamford and the author of Understanding Charles Johnson. Together they coedited The Emergence of Buddhist American Literature, American Buddhism as a Way of Life and Writing as Enlightenment: Buddhist American Literature into the Twenty-first Century, all also published by SUNY Press.

Informations bibliographiques