Reconceptualising Film PoliciesNolwenn Mingant, Cecilia Tirtaine Routledge, 22 nov. 2017 - 320 pages This volume explores and interrogates the shifts and changes in both government and industry-based screen policies over the past 30 years. It covers a diverse range of film industries from different parts of the world, along with the interrelationship between different localities, policy regimes and technologies/media. Featuring in-depth case studies and interviews with practitioners and policy-makers, this book provides a timely overview of government and industry’s responses to the changing landscape of the production, distribution, and consumption of screen media. |
Table des matières
| 1964 | |
| 1981 | |
The US Film Industry Chinese Film | 1999 |
Policies within the Economic Politics of Global Markets | |
The Film Industry | |
PART II | |
Chinese | |
Unionisation of visual effects is inevitable | |
The Europeanisation of | |
On Digital | |
Public Policies and | |
Facing Illegal Distribution | |
Media | |
Shifting | |
Between | |
The Film Code will promote the development of the film | |
Towards a Dialogue between Screen | |
PART III | |
Towards a New Film Policy Map in Argentina | |
Subnational Film Policies | |
Abu Dhabis Greenfields Film and Media | |
List of Contributors | |
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ABAI Abu Dhabi Abu Dhabi Media Accessed 29 December African agreements animation audiences audiovisual Australian broadcasting Canadian censorship cent China cinema co-production collaboration Communication companies Cool Japan countries created creative industries cultural diversity cultural industries cultural policy Dalian Wanda discourse distribution documentaries domestic dubbing economic edited Eurimages Europe European Audiovisual Observatory European Commission European Union film and media Film and Television Film Commission Film Festival film funds film industry film policy film production film-makers financing foreign France French global Hollywood Ibermedia Ibero-American INCAA institutions investment Iosifidis Korean Korean Wave manga Media Policy Mercosur Mingant movie theatres national film Netflix networks organisations otaku Paris players policy-makers political professionals programme projects promote PureMovies Quebec regional regulations regulatory role screen Serbian soft power South Africa stakeholders strategy Studies subnational supra-national trade UNESCO visual effects Wallimage Wallonia