European Film and Media Culture, Volume 4Lennard Højbjerg, Henrik Søndergaard Museum Tusculanum Press, University of Copenhagen, 2006 - 289 pages This fourth volume in the Northern Lights series brings into focus central aspects of recent developments in European film and media culture. Through studies of both film and television the question of national identity, European integration and globalization is analyzed in a both Eastern and Western European context. European Film and Media Culture offers case studies of the more historical and institutional context of European film, studies of European television drama, childrens television, television entertainment formats, and comparative studies of European art cinema / art television and American films and television serials. -- Northern Lights is an annual publication dedicated to studies of film and media. Each yearbook is devoted to a specific theme, covering the full range of mediafrom film and television, the press and radio, to the internet and other computer media. Northern Lights reflects the research activities of the Department of Film and Media Studies at the Univers |
Table des matières
Lennard Højbjerg Henrik Søndergaard | 7 |
Miguel Angel Casado | 37 |
Ágnes Gulyás | 63 |
Droits d'auteur | |
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Agger American art film audience audiovisual industry banal nationalism Bondebjerg Bordwell camera changes channels character children's television cinema commercial Communication companies context Czech Republic Danish film Denmark dominated East Central European edited ethnic Euro Europe European audiovisual European Audiovisual Observatory European Commission European countries European films European media European Union example experience film and media foreign forking-path format trade French game shows genres global Grodal Heimat Helen Hollywood Hungarian Hungary important Lars von Trier London mainstream media culture media markets media policies media sectors media system melodrama memory movie narration narrative national identity networks Nickelodeon ownership Passaparola plot political post-communist Press production programmes public service broadcasting questions reality Reitz Rejseholdet representation role satellite sion Sliding Doors social society specific story strategy subjectivity symbolic television fiction tion traditional transnational Turkish TV drama viewers War and Remembrance Western