The Sculptor's Way: A Guide to Modelling and Sculpture

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Courier Corporation, 1 janv. 2003 - 384 pages
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A treasury of all the information a student of sculpture needs in the early stages of training: modelling from life, human and comparative anatomy, modelling and casting a portrait head, drapery, ceramic sculpture, stone and marble carving, wood carving, and bronze casting. 210 halftones. 124 line drawings.
 

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Table des matières

What Not to Do
230
Egyptian Head
233
Theodore Roosevelt by ames Earle Fraser
234
Mlle Pogany by Constantin Brancusi i
236
Head with Clay Wall Ready for Casting
240
Front of Mold Strengthened with Irons
242
Rear Mold Removed Clay and Armature Still in Front Mold
244
Bust of Pablo Casals by Brenda Putnam
253

VIII
21
Foor
22
Lorenzo de Medici Mark
26
Pyramidal Composition
32
Homeless by Aaron Goodleman
34
Fiorenzo by Libero Andreotti
35
Boxer Skier Diver
39
The Bubble Dance by Harriet Y Frishmuth
41
Archers by Ivan Mestrovic
43
Frieze of Dancers
44
Dancer and Gazelles by Paul Manship
45
Unique Forms by Boccioni
47
Figure Armature 1
160
Establishing the Main Directions and Masses
163
78 79 80 Enriching the Modelling 164
165
Completed Front View
167
Completed Back View
169
Venus of Cyrene
171
Analogies in Form by Walter Crane
173
Energy Chained by Aristide Maillol
174
Seated Woman by Aristide Maillol
175
oman by Gaston Lachaise
176
Seated Girl by ane Poupelet
177
Reclining Woman by Ivan Mestrovic
178
Torso of Woman Arms Dcum
179
Womans Breasts from Above
180
Seated Woman Arms Raised
183
Womans Legs Rear View
184
The Child in the Vineyard Stone by Brenda Putnam
186
Midsummer by Brenda Putnam
187
Paulina by Paul Manship
193
Desmond Three Days Old Marble by Brenda Putnam
194
XIII
195
Swans i
208
Running Elephant by Anna Hyatt Huntington
209
Saluki by Gertrude K Lathrop
210
Panther by Matteo Hernandez
211
Sea Lion by Furio Piccirilli
212
Head of Athlete Roman Copy of Greek Work
215
The Armature
217
A Later Stage Showing One Eye Laid in Socket
223
The Finished Head with Base
225
Archaic Treatment of Eyes and Hair
227
Head of Amelia Earhart Rear View by Brenda Putnam
229
Drapery Arranged on Board
256
The Same Modelled for Stone
257
StudyIVude
258
The Finished Figure
259
Charioteer of Delphi
262
Tympanum Detail at Vézelay
263
oseph and Mary Wood by Brenda Putnam
265
Pleurant by Claus Sluter or an de Werve
266
Angel by Bernini
267
War Memorial Rear View by Libero Andreotti
268
Armature for Working Model of The Crest by Brenda Putnam
276
Heroic Size Armatures
278
Negocoll
281
Mandrill First Stage by Carl Walters
284
Mandrill Final Stage by Carl Walters
285
William the Hippo Egyptian 12th Dynasty
286
Camel Early Chinese
293
Playful Piebald by Carl Walters
294
Horses Head Early Chinese
295
The Wart Hog by Carl Walters
296
Lynx by Beonne Beronda
298
Stonecarving Tools
301
Pointing Machine on Marble Bust
304
Ossip Gabrilowitsch by Brenda Putnam
306
Mr Baillie at Work on the Portrait Bust
307
The Goddess Sekhmet from Karnak
308
The Bather by Auguste Rodin
309
ames Earle Frasers Benjamin Franklin Being Assembled
310
Woodcarving Tools
314
Caryatid by Ivan Mestrovic
315
Annunciation by Gleb Derujinsky
317
Man Drawing a Sword by Ernst Barlach
319
Newborn Calf by Heinz Warneke
320
The Composer by Ossip Zadkine
322
BRONZE CASTING by Anton Balk
323
Antique Vase Handle from the Louvre
329
Heracles by E A Bourdelle
331
American Indian Detail by Ivan Mestrovic
332
IN CONCLUSION
335
The Hand of God by Auguste Rodin
337
onah and the Whale by Carl Milles
339
Strap Buckner and the Devil by Edmond R Amateis
340
Armature Modelling Carving by Brenda Putnam
343

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Fréquemment cités

Page 80 - What a piece of work is a man! How noble in reason! how infinite in faculty! in form, in moving, how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals!
Page 270 - A gauge, pattern, or mould, commonly a thin board, used as a guide to the form of the work to be executed.
Page 336 - troubles never come alone ;" — " when sorrows come, they come not single spies, but in battalions ;
Page 302 - ... Gotshalk quotes the sculptor, RA Baillie: As your carving progresses, the stone itself will suggest improvements over your first sketch. If you are sensitive to its messages, you will modify certain details as you work — leaving a bold plane where your sketch indicated a round or broken surface. . . . Many stones have veins, much as wood has a grain, and sometimes by following what these veins suggest you will get a finer effect than you had ever thought of when you were making your clay model.
Page 342 - ... the Museum of Modern Art, the Whitney Museum and the Chicago Art Institute.
Page 342 - Before the Mirror", is in the Luxembourg Museum in Paris, and examples of his work are to be found in the Metropolitan Museum of Art, New York, the Corcoran Gallery, the Art Institute of Chicago, the City Art Museum of St.
Page 27 - ... behind the patron with the hands in position, palms down, wrists straight, fingers on the edge of the hair line just above the outside corners of the eyes. Pressing firmly with the fingers revolve them four times. Then move them upwards and back about an inch and repeat. Continue this in a straight line over the top of the head, to the back of the neck just below the ears. The last massage is made with the wrists up and is held for a moment. Second Movement—Again start at the forehead with...
Page 342 - He is a member of the National Sculpture Society and an associate of the National Academy of Design.

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