Museums in a Digital Age

Couverture
Ross Parry
Routledge, 2010 - 478 pages

The influence of digital media on the cultural heritage sector has been pervasive and profound. Today museums are reliant on new technology to manage their collections. They collect digital as well as material things. New media is embedded within their exhibition spaces. And their activity online is as important as their physical presence on site.

However, 'digital heritage' (as an area of practice and as a subject of study) does not exist in one single place. Its evidence base is complex, diverse and distributed, and its content is available through multiple channels, on varied media, in myriad locations, and different genres of writing.

It is this diaspora of material and practice that this Reader is intended to address. With over forty chapters (by some fifty authors and co-authors), from around the world, spanning over twenty years of museum practice and research, this volume acts as an aggregator drawing selectively from a notoriously distributed network of content. Divided into seven parts (on information, space, access, interpretation, objects, production and futures), the book presents a series of cross-sections through the body of digital heritage literature, each revealing how a different aspect of curatorship and museum provision has been informed, shaped or challenged by computing.

Museums in a Digital Age is a provocative and inspiring guide for any student or practitioner of digital heritage.

 

Table des matières

1 The Practice of Digital Heritage and the Heritage of Digital Practice
1
DATA STRUCTURE AND MEANING
8
VISITS VIRTUALITY AND DISTANCE
116
ABILITY USABILITY AND CONNECTIVITY
177
COMMUNICATION INTERACTIVITY AND LEARNING
225
AUTHENTICITY AUTHORITY AND TRUST
291
PRODUCTION EVALUATION AND SUSTAINABILITY
351
PRIORITIES APPROACHES AND ASPIRATIONS
417
Index
470
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À propos de l'auteur (2010)

Ross Parry is Senior Lecturer in Museum Studies at the University of Leicester, a scholar of digital heritage and a historian of museum media and technology. He is the author of Recoding the Museum: digital heritage and the technologies of change, the first major history of museum computing.

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