Museums in the German Art World: From the End of the Old Regime to the Rise of ModernismOxford University Press, 26 oct. 2000 - 272 pages Combining the history of ideas, institutions, and architecture, this study shows how the museum both reflected and shaped the place of art in German culture from the late eighteenth century to the early twentieth century. On a broader level, it illuminates the origin and character of the museum's central role in modern culture. James Sheehan begins by describing the establishment of the first public galleries during the last decades of Germany's old regime. He then examines the revolutionary upheaval that swept Germany between 1789 and 1815, arguing that the first great German museums reflected the nation's revolutionary aspirations. By the mid-nineteenth century, the climate had changed; museums constructed in this period affirmed historical continuities and celebrated political accomplishments. During the next several years, however, Germans became disillusioned with conventional definitions of art and lost interest in monumental museums. By the turn of the century, the museum had become a site for the political and cultural controversies caused by the rise of artistic modernism. In this context, Sheehan argues, we can see the first signs of what would become the modern style of museum architecture and modes of display. The first study of its kind, this highly accessible book will appeal to historians, museum professionals, and anyone interested in the relationship between art, politics, and culture. |
Table des matières
EighteenthCentury Origins | 3 |
Museums and the Age of Revolution 17891830 | 43 |
The Museum Age 18301880 | 83 |
Museums and Modernism 18801914 | 139 |
Conclusion | 185 |
Notes | 191 |
Bibliography | 219 |
251 | |
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Expressions et termes fréquents
aesthetic Alfred Lichtwark Alfred Messel Alte Pinakothek architect architecture art history art museums art's artists baroque beauty became Berlin museum Bode building building's classical collections contemporary Cornelius court culture Darmstadt decorative director display Dresden gallery Düsseldorf dynastic eighteenth century essay example exhibition FIGURE Frederick William Frederick William III frescoes Friedrich Gemäldegalerie German art world German museums Geschichte Glyptothek Goethe Greek Hamburg Hegel historians history of art Humboldt ideas important institutions Jahrhundert Johann Justi Kant Karl Karl Friedrich Schinkel king Klenze Kunst Kunstgeschichte Kunsthalle Leo von Klenze Lichtwark Ludwig Malerei Mechel Meier-Graefe Messel monumental moral Munich Museen museum officials National Gallery Neue Pinakothek nineteenth nineteenth-century objects organization Osthaus painter paintings palace past patron political prince Prussian Quoted Renaissance royal Sanssouci Schiller Schinkel Schöne sculpture Semper social space Städel statues style taste tion Tschudi Vienna visitors Waagen Werke Wilhelm Wilhelm von Bode Winckelmann wrote
Fréquemment cités
Page xii - Becker defines an art world as "the network of people whose cooperative activity, organized via their joint knowledge of conventional means of doing things, produces the kind of art works that art world is noted for