Double Talking: Essays on Verbal and Visual Ironies in Canadian Contemporary Art and LiteratureLinda Hutcheon ECW Press, 1992 - 220 pages In the mass media today, as well as in high art and academia, there seems to be what one recent magazine has called an irony epidemic. This collection of essays considers irony in its Canadian literary and artistic context, with titles such as “Who Says That Canadian Culture Is Ironic?” and “Ironies of Color in the Great White North: The Discursive Strategies of Some Hyphenated Canadians.” |
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Page 183
... Mauberley's words “ the epitome of all that is civilized , genteel , and respected ” ( 332 ) , provided a focal point of national , ethnic , and class identity . Though Oakes wants to make money out of the Duke , he is prepared to ...
... Mauberley's words “ the epitome of all that is civilized , genteel , and respected ” ( 332 ) , provided a focal point of national , ethnic , and class identity . Though Oakes wants to make money out of the Duke , he is prepared to ...
Page 189
... Mauberley “ drank ambrosia ” ( 107 ) . The absent member tells . These details seem to distance " E.P. " from Mauberley as the quintessential type of the effete artist . Yet Pound also ties " E.P. " and Mauberley together so that ...
... Mauberley “ drank ambrosia ” ( 107 ) . The absent member tells . These details seem to distance " E.P. " from Mauberley as the quintessential type of the effete artist . Yet Pound also ties " E.P. " and Mauberley together so that ...
Page 190
... Mauberley . This connection brings to mind the role of collaborator that Pound played for Eliot in writing The Waste Land ( Koestenbaum ch . 4 ) . Findley associates Mauberley with Eliot in a number of ways . The novel opens at ...
... Mauberley . This connection brings to mind the role of collaborator that Pound played for Eliot in writing The Waste Land ( Koestenbaum ch . 4 ) . Findley associates Mauberley with Eliot in a number of ways . The novel opens at ...
Table des matières
INTRODUCTION | 11 |
The Ironies of Canadian | 29 |
WHO SAYS THAT CANADIAN CULTURE IS IRONIC? | 39 |
Droits d'auteur | |
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Expressions et termes fréquents
aesthetic anglo-Canadian Arachne Arachne's artist Atwood Baumgarten's called Canada Canadian art Canadian culture Canadian literature centre contemporary context conventions critical critique deconstructive Denniston Dionne Brand Dionysus discourse dominant ideology double essay European example F.R. Scott Famous Last Words female minoritarian feminine gothic feminism feminist fiction Findley Findley's found poem found poetry Gallant Gallery gender genre Gurney hero heroine Home Truths homosexual Hutcheon Indians interpretations introduction ironic irony Joanne Tod kind Kroetsch Lady Oracle language Linda Hutcheon literally literary male Margaret Atwood marginalized Mauberley Mauberley's meaning memory metanarratives minoritarian mode monument Muecke myth narrative native non-white Canadians novel Ontario painting parodic poetic poetry political position possible postmodern Pound preface racial reader reading refers relation representation rhetorical Robert Wiens sense sexual social speak speech strategy structure suggests tion Tod's Toronto total ambiguity tradition trope verbal voice woman women writing