The Law of Musical and Dramatic CopyrightCassell & Company, 1890 - 163 pages |
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Page 7
... , as it was then thought irrevocably , into the public domain . It is notorious that such was the case with reference to Gounod's opera of Faust . The alleged necessity for some retroactive clauses to repair these INTRODUCTION .
... , as it was then thought irrevocably , into the public domain . It is notorious that such was the case with reference to Gounod's opera of Faust . The alleged necessity for some retroactive clauses to repair these INTRODUCTION .
Page 12
... opera , C is in law the " author " of the new arrangement . So too if E writes new words and accompaniments to an old non - copyright melody , the whole composition is now a new one , and is copyright , E being rightly described as the ...
... opera , C is in law the " author " of the new arrangement . So too if E writes new words and accompaniments to an old non - copyright melody , the whole composition is now a new one , and is copyright , E being rightly described as the ...
Page 18
... Opera , Farce , or any other dramatic IV . , c . 15 , s . 1. piece or entertainment . " The cases show that a wide interpretation is to be given to the term " dramatic entertainment . " In Russell v . Smith the Court held that " a song ...
... Opera , Farce , or any other dramatic IV . , c . 15 , s . 1. piece or entertainment . " The cases show that a wide interpretation is to be given to the term " dramatic entertainment . " In Russell v . Smith the Court held that " a song ...
Page 27
... opera would have had the benefits of the Act , while the composer of an instrumental piece would not . The case of a song would have depended upon showing that it was a " dramatic piece or entertainment . " By the Copyright Amendment ...
... opera would have had the benefits of the Act , while the composer of an instrumental piece would not . The case of a song would have depended upon showing that it was a " dramatic piece or entertainment . " By the Copyright Amendment ...
Page 32
... opera in Russia , an English librettist might adapt a libretto to it and obtain British copyright therein to the exclusion of the Russian composer , though he could not prevent another English librettist from making a like use of the ...
... opera in Russia , an English librettist might adapt a libretto to it and obtain British copyright therein to the exclusion of the Russian composer , though he could not prevent another English librettist from making a like use of the ...
Autres éditions - Tout afficher
The Law of Musical and Dramatic Copyright Edward Cutler,Thomas Eustace Smith,Frederic Edward Weatherly Affichage du livre entier - 1892 |
The Law of Musical and Dramatic Copyright (Classic Reprint) Edward Cutler Aucun aperçu disponible - 2017 |
Expressions et termes fréquents
50 Vict apply assignment authorised Berne Convention Berne Treaty Boosey Boucicault Britain British Dominions British possession Cassell's Ch.D Cheap Edition colony Coloured Plates common law composer conferred Copyright Amendment Act copyright proper country of origin Delafield Dramatic Copyright Act dramatic entertainment dramatic piece dramatisation enactment English Engravings entitled exclusive right federated countries foreign country French Haïti held importation infringement International Copyright Acts JULIAN HAWTHORNE legislation liberty of representing libretto licence literary and artistic literary or artistic Little Lord Fauntleroy Lord Majesty ment multiplying copies musical composition novel opera Order in Council period person piracy place of dramatic plaintiff play printed and published produced Prof proprietor protection Prussia purposes question registration remedies representation or performance respect restrain right of representation sale or hire Seebohn sole liberty song statute Statute of Anne Story tion translation unauthorised performance Union United Kingdom Vols W. W. GREENER
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