Other Criteria: Confrontations with Twentieth-century Art

abstract Algiers American anatomical appears arms artist aspects beauty become body Bronze called canvas casts Collection color continuous critics Cubist drawing early effect entering exhibition experience face fact field figure final flat four front given ground hand head human imagination implies interest Johns Johns's kind late later less light look matter means mind Modern Art move Museum nature never nude objects observed once original painter painting Paris perhaps Picasso picture plane plaster present problem question reference remains representation Rodin sculpture seems seen sense shape side simultaneity single sleep Sleeper solid space stand Study suggest surface symbolic takes theme things thought tion torso turn values vision visual whole Woman Women York