The Cultural Context of Chaucer's FabliauxStanford University, 1968 - 634 pages |
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... dide al myn entente / Me for to pleyen and for to lere " ( 2132-33 ) . But it is in the Canterbury Tales that Chaucer most often repeats the pleasure - profit dictum . Harry Bailly makes it the criterion by which the tales are to be ...
... dide al myn entente / Me for to pleyen and for to lere " ( 2132-33 ) . But it is in the Canterbury Tales that Chaucer most often repeats the pleasure - profit dictum . Harry Bailly makes it the criterion by which the tales are to be ...
Table des matières
Allegory and Rhetoric | 5 |
Lyric Poetry as Natural Music | 29 |
Literature for Delight | 64 |
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Expressions et termes fréquents
Absolon Alisoun allegorical allegorical tradition amuse Art de dictier attitude audience Baisieux balade Bédier Berangier Boccaccio Bodel Boethius Canterbury Canterbury Tales characters Chaucer Chaucer's fabliaux chevalier Christian churl clerks comedy comic critics Dame Decameron defined delight Deschamps discussion entertainment Eustache Deschamps fables fabula fiction fourteenth century friar Friar's Tale function genre Gombert humor husband Ibid idea indicate intent Jean de Condé kind knight ladies liaux literary lover lyric poetry Machaut Merchant's Tale meunier Middle Ages Middle English Miller's Tale moral musique naturele narrative narrator natural music Nicholas Nykrog obscenity offers Old French Parlement of Foules pleasure plot PMLA poems poet poetic theory Preface to Chaucer priest profit Prologue purpose Reeve's Tale references reveals rhetorical romances satire says serious Shipman's Tale social songs Sources and Analogues story style suggests Summoner's Tale Symkyn tell tion treatise trick truth vilain vulgarity wife words writing