The Cultural Context of Chaucer's FabliauxStanford University, 1968 - 634 pages |
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... fresshe songes " made by lovers ( F 79 , G 67 ) . No doubt it is these works which Chaucer refers to in the Retraction as " many a song and many a leccherous lay " ( 1087 ) . Gower also refers to them in a similar way ; in the Confessio ...
... fresshe songes " made by lovers ( F 79 , G 67 ) . No doubt it is these works which Chaucer refers to in the Retraction as " many a song and many a leccherous lay " ( 1087 ) . Gower also refers to them in a similar way ; in the Confessio ...
Table des matières
Allegory and Rhetoric | 5 |
Lyric Poetry as Natural Music | 29 |
Literature for Delight | 64 |
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Expressions et termes fréquents
Absolon action Alisoun allegorical allegorical tradition amuse Art de dictier attitude audience Baisieux balade Bédier Berangier Boccaccio Bodel Boethius Canterbury Canterbury Tales characters Chaucer Chaucer's fabliaux chevalier Christian churl clerks comedy comic critics Dame Decameron defined delight Deschamps discussion entertainment Eustache Deschamps fables fabula fiction fourteenth century friar Friar's Tale function genre Gombert Hugh humor husband Ibid idea indicate intended kind knight ladies liau liaux literary lover lyric poetry Machaut Merchant's Tale meunier Middle Ages Middle English Miller's Tale moral musique naturele narrative natural music Nicholas Nykrog obscenity offers Old French Parlement of Foules pleasure plot poems poet poetic theory Preface to Chaucer priest profit Prologue purpose Reeve's Tale references reveals rhetorical romances satire says serious Shipman's Tale social songs Sources and Analogues story style suggests Summoner's Tale Symkyn tell tion treatise trick truth upper-class vilain vulgarity wife words writing